`Muffins is a square; it has a vinyl cover of a photograph of Rooke and his wife and another woman (their daughter?). The photograph-cover, if one ``reads'' it closely, shows the daughter reading a book; her back is facing her parents who are at a table eating -- or about to eat -- muffins. There is a book case stuffed with books ``arranged'' in a messy way. The photograph has in the middle a rectangle in white lines and the words in different typefaces (and colours): Muffins and Leon Rooke under Muffins. The effect is startling because I see photographs of books within the book itself. And I am thus aware that there is a carefully designed book-within-the-book. And I start thinking about the relation of the various elements I have mentioned. Is the cover the beginning of the book? Does it, on the contrary, tell a secret story? I see, finally, that I as reader or viewer must interpret the relations, must join -- or create -- the performance of interpretation. In a sense, then, I am writing a review of the photograph of the author. And I have not yet opened Muffins! My consciousness is whirling!'
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Descripción Soft cover. Condición: New. 1st Edition. Original printed wraps. 24 pp. Octavo. `Muffins is a square; it has a vinyl cover of a photograph of Rooke and his wife and another woman (their daughter?). The photograph-cover, if one `reads' it closely, shows the daughter reading a book; her back is facing her parents who are at a table eating -- or about to eat -- muffins. There is a book case stuffed with books `arranged' in a messy way. The photograph has in the middle a rectangle in white lines and the words in different typefaces (and colours): Muffins and Leon Rooke under Muffins. The effect is startling because I see photographs of books within the book itself. And I am thus aware that there is a carefully designed book-within-the-book. And I start thinking about the relation of the various elements I have mentioned. Is the cover the beginning of the book? Does it, on the contrary, tell a secret story? I see, finally, that I as reader or viewer must interpret the relations, must join -- or create -- the performance of interpretation. In a sense, then, I am writing a review of the photograph of the author. And I have not yet opened Muffins! My consciousness is whirling!' Printed offset by Tim Inkster on the Heidelberg KORD at the printing office of the Porcupine's Quill in the Village of Erin, Wellington County, Ontario, Canada. Smyth sewn into 16-page signatures. Nº de ref. del artículo: 9780889841673