Roman Mosaics of Britain Volume IV: Western Britain: 4 - Tapa dura

The integration of information and illustrations from a wide range of sources, including details of the history of excavation and the context of the mosaics, are real strengths of all the volumes, as are the carefully thought out format and high production quality. The meticulous approach to recording and presentation sets them apart from catalogues for other Roman provinces, such as Gaul, and they will serve as a model for catalogues produced elsewhere and for other forms of classical art. Just as the work of Lysons is still an important point of reference for the study of Romano-British art, there is no doubt that these volumes will stimulate further research and become a fundamental reference source for anyone with an interest in Romano-British villas and their mosaics.' -- British Archaeology British Archaeology It is always a feast for the eyes and an important scholarly event to open a volume of the series dedicated to the corpus of Roman mosaics in Britain. The last in the series is an exemplary conclusion of a Herculean task, carried out by two respected specialists of mosaics in antiquity. ...[Taken collectively] the four volumes of the completed corpus constitute an indispensable work of reference. With over 2000 mosaics now carefully catalogued, it forms the basis for much future research.' -- Antiquity Antiquity

This volume brings to a triumphant conclusion this monumental project to catalogue, describe and illustrate every Romano-British mosaic. The area covered by the fourth and final volume in the corpus is one of the richest regions of Britain in economic as well as architectural and artistic terms and this is reflected in the quantity and quality of the region's mosaics, which include the largest figured mosaic ever found in Britain - the Woodchester Orpheus pavement - which was perhaps the inspiration for the other famous Orpheus mosaics of the Roman Cotswolds. At the heart of this affluent region is Cirencester, Roman Britain's second largest town, represented here by more than sixty mosaics, the second-century examples being the most exquisite in the country. There are also many fine mosaics from the region's highly ornate villas, as well as from the towns of Gloucester, Caerwent and Wroxeter. The catalogue follows the format of earlier volumes in providing an account of each mosaic's discovery and locating the mosaic within its building plan. Following the description are notable parallels and major references. Many of the illustrations are by the authors, with additional ones by Luigi Thompson, as well as photographs and historical engravings, a high proportion of the latter by Samuel Lysons whose home was in Gloucestershire where he did much of his pioneering work in archaeological excavation and illustration. Brief biographies of Lysons and all the other artists whose work grace all four volumes appear at the end of this volume. As with previous volume the work is preceded with a substantial introduction. This deals with the history and topography of the region, buildings and rooms, an assessment of regional workshops, and schemes, ending with a consideration of mosaics in relation to the end of Roman Britain.