Swordfishtrombones: Tom Waits' Swordfishtrombones: 53 (33 1 /3, 53) - Tapa blanda

"Another bodice-ripper in the 33 1/3 series." --Cory Frye, Under the Radar Magazine--, "Intelligent discussion ofTom Waits is a rare bird, and this volume is welcome addition." The Big Takeover "Smayacts as a side-mouth talking tour guide leading us through the darkness, givingus flashlights so we can illuminate the parts to love the whole we never quitesee." Matthew Fiander, Popmatters.com--, "Intelligent discussion of Tom Waits is a rare bird, and this volume is welcome addition." The Big Takeover "Another bodice-ripper in the 33 1/3 series." Cory Frye, Under the Radar Magazine--Sanford Lakoff "Smay acts as a side-mouth talking tour guide leading us through the darkness, giving us flashlights so we can illuminate the parts to love the whole we never quite see." Matthew Fiander, Popmatters.com--Sanford Lakoff

Two entwined narratives run through the creation of "Swordfishtrombones" and form the backbone of this book. As the 1970s ended, Waits felt increasingly constrained and trapped by his persona and career. Bitter and desperately unhappy, he moved to New York in 1979 to change his life. It wasn't working. But at his low point, he got the phone call that changed everything: Francis Ford Coppola asked Tom to write the score for "One From the Heart". Waits moved back to Los Angeles to work at Zoetrope's Hollywood studio for the next eighteen months. He cleaned up, disciplined himself as a songwriter and musician, collaborated closely with Coppola and met a script analyst named Kathleen Brennan - his "only true love".They married within two months at the Always and Forever Yours Wedding Chapel at 2am. "Swordfishtrombones" was the first thing Waits recorded after his marriage, and it was at Kathleen's urging that he made a record that conceded exactly nothing to his record label, or the critics, or his fans. There aren't many love stories where the happy ending sounds like a paint can tumbling in an empty cement mixer!Kathleen Brennan was sorely disappointed by Tom's record collection. She forced him out of his comfortable jazzbo pocket to take in foreign film scores, German theatre and Asian percussion. These two stories of a man creating that elusive American second act, and also finding the perfect collaborator in his wife give this book a natural forward drive."Thirty-Three and a Third" is a series of short books about critically acclaimed and much-loved albums of the past 40 years. By turns obsessive, passionate, creative and informed, the books in this series demonstrate many different ways of writing about music.