Still Moving: Between Cinema and Photography

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9780822341550: Still Moving: Between Cinema and Photography
Críticas:

"Still Moving maps out various interesting directions, trends, and tendencies inspired by the fact that moving-image media are losing their coherence, spinning out and recombining in interesting ways. In doing so, it opens up a number of fresh paths for examining what film and photography, as well as cinema studies and art history, will become. It will be widely read and discussed in the worlds of art and film, the classroom, the museum, and the gallery." D. N. Rodowick, Professor of Visual and Environmental Studies, and Director of Graduate Studies in Film and Visual Studies, Harvard University "Still Moving engages new debate in a field central and crucial to cinema, media, and cultural studies. The collection explores the nature of photography and cinema both before and after the advent of digital media. As a result, some stunning work--on acceleration and simulation, on filming and editing in photographic and electronic media, on the fortunes of memory and oblivion, and on the dialogue and conflict of technologies--emerges from the tension of still and moving images."--Tom Conley, author of Cartographic Cinema

Reseña del editor:

In "Still Moving" noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another.Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. "Still Moving" suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. The contributors include: George Baker; Rebecca Baron; Karen Beckman; Raymond Bellour; Zoe Beloff; Timothy Corrigan; Nancy Davenport; Atom Egoyan; Rita Gonzalez; Tom Gunning; Louis Kaplan; Jean Ma; and, Juan A. Suarez.

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George Baker, Jean Ma
Editorial: Duke University Press, United States (2008)
ISBN 10: 0822341557 ISBN 13: 9780822341550
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Descripción Duke University Press, United States, 2008. Paperback. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book. In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art.Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan, Jean Ma, Janet Sarbanes, Juan A. Suarez. Nº de ref. de la librería AAJ9780822341550

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George Baker, Jean Ma
Editorial: Duke University Press, United States (2008)
ISBN 10: 0822341557 ISBN 13: 9780822341550
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Descripción Duke University Press, United States, 2008. Paperback. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book. In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art.Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan, Jean Ma, Janet Sarbanes, Juan A. Suarez. Nº de ref. de la librería AAJ9780822341550

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97808223415500000000

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George Baker, Jean Ma
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Descripción Duke University Press. Estado de conservación: New. pp. 328. Nº de ref. de la librería 7952548

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Karen Beckman
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Descripción Duke University Press, 2008. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780822341550

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Descripción Duke University Press. Paperback. Estado de conservación: new. BRAND NEW, Still Moving: Between Cinema and Photography, Karen Beckman, Jean Ma, In "Still Moving" noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another.Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. "Still Moving" suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. The contributors include: George Baker; Rebecca Baron; Karen Beckman; Raymond Bellour; Zoe Beloff; Timothy Corrigan; Nancy Davenport; Atom Egoyan; Rita Gonzalez; Tom Gunning; Louis Kaplan; Jean Ma; and, Juan A. Suarez. Nº de ref. de la librería B9780822341550

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Karen Beckman (Editor), Jean Ma (Editor)
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Descripción Duke University Press Books, 2008. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0822341557

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Descripción Duke Univ Pr, 2008. Paperback. Estado de conservación: Brand New. 312 pages. 8.75x6.00x0.75 inches. In Stock. Nº de ref. de la librería __0822341557

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Descripción Duke Univ. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2420885

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