Book by Jones Edwin
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Edwin Jones sets out to show that a phenomenological analysis of meaning can contribute to a theory of creativity in several ways. It can clarify the concept of creative expression and resolve its paradoxical appearance. Creativity must have its roots in already existing meanings and at the same time has to generate new meanings. To illustrate, Jones shows that a phenomenological analysis can render more comprehensible the spiritual dilemma suffered by C\u00e9zanne. The artist could not render intellectually understandable to himself what he was attempting as an artist. A phenomenological approach shows, according to Jones, that the dilemma was generated in C\u00e9zanne's mind in part by a certain implicit Galilean concept of Nature that C\u00e9zanne brought to his work -- a concept that phenomenology has only recently begun to dispel by demonstrating a parallel between creativity in philosophy and creativity in art. Jones employs Heidegger and C\u00e9zanne as concrete examples and Husserl and Merleau-Ponty as other important elements in his essay. Ultimately, Jones argues for a parallel between creativity in science and philosophy, and creativity in the arts. His is an original synthesis of the work of the three thinkers he interprets and of C\u00e9zanne's late work, and his study should be of considerable interest to philosophers, art critics, and artists of a theoretical or reflective bent.
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Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
Condición: Used - Very Good. 1989. Hardcover. Cloth, no dj. Slight shelf-wear, else very sound. Very Good. Nº de ref. del artículo: SOL32051
Cantidad disponible: 1 disponibles
Librería: Jay W. Nelson, Bookseller, IOBA, Austin, MN, Estados Unidos de America
Hardcover. Condición: Near Fine. No Jacket. 1st Edition. In green cloth. No jacket. Nº de ref. del artículo: 074143
Cantidad disponible: 1 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Nº de ref. del artículo: M0821409085Z3
Cantidad disponible: 3 disponibles
Librería: Irish Booksellers, Portland, ME, Estados Unidos de America
Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book. Nº de ref. del artículo: 23-0821409085-G
Cantidad disponible: 1 disponibles
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Hardcover. Condición: Good. 1. Edwin Jones sets out to show that a phenomenological analysis of meaning can contribute to a theory of creativity in several ways. It can clarify the concept of creative expression and resolve its paradoxical appearance. Creativity must have its roots in already existing meanings and at the same time has to generate new meanings.To illustrate, Jones shows that a phenomenological analysis can render more comprehensible the spiritual dilemma suffered by Cézanne. The artist could not render intellectually understandable to himself what he was attempting as an artist. A phenomenological approach shows, according to Jones, that the dilemma was generated in Cézannes mind in part by a certain implicit Galilean concept of Nature that Cézanne brought to his work - a concept that phenomenology has only recently begun to dispel by demonstrating a parallel between creativity in philosophy and creativity in art. Jones employs Heidegger and Cézanne as concrete examples and Husserl and Merleau-Ponty as other important elements in his essay.Ultimately, Jones argues for a parallel between creativity in science and philosophy, and creativity in the arts. His is an original synthesis of the work of the three thinkers he interprets and of Cézannes late work, and his study should be of considerable interest to philosophers, art critics, and artists of a theoretical or reflective bent. Nº de ref. del artículo: SONG0821409085
Cantidad disponible: 1 disponibles
Librería: Irish Booksellers, Portland, ME, Estados Unidos de America
Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book. Nº de ref. del artículo: 29-0821409085-G
Cantidad disponible: 1 disponibles
Librería: Kloof Booksellers & Scientia Verlag, Amsterdam, Holanda
Condición: very good. Athens,Ohio : Ohio University Press, 1989. Orig. cloth binding. 178 pp. Bibl,Index. (Series in Continental Thought 14). Condition : very good copy. ISBN 9780821409084. Keywords : PHILOSOPHY, aesthetics. Nº de ref. del artículo: 75682
Cantidad disponible: 1 disponibles
Librería: Burton Lysecki Books, ABAC/ILAB, Winnipeg, MB, Canada
[0-8214-0908-5] [1989]. (Hardcover) Near fine, no dust jacket. 178pp. Color illustration, notes, bibliography, index. Minor pencil underlining. Book about Paul Cezanne, Galileo Galilei, Martin Heidegger & Edmund Husserl. Publisher series: Series in continental thought 14. (Philosophy, Aesthetics, Phenomenology). Nº de ref. del artículo: 126537
Cantidad disponible: 1 disponibles