Terpsichore in Sneakers: Post-Modern Dance (Wesleyan Paperback)

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9780819561602: Terpsichore in Sneakers: Post-Modern Dance (Wesleyan Paperback)

Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane’s Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream.

Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire.

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From the Publisher:

7 x 9 trim. 13 illus. 4 figs. LC 86-7829

About the Author:

SALLY BANES is associate professor of dance history and theater studies at Cornell University. She graduated from University of Chicago (B.A. 1972) and New York University (Ph.D. 1980) and has taught at Wesleyan University, the State University of New York at Purchase, Florida State University, and the New York City School of Visual Arts. Banes has received Guggenheim, Mellon, and The American Council of Learned Socities fellowships. She has been editor of Dance Research Journal and performance art critic for the Village Voice, and she was formerly a senior critic at Dance Magazine, a contributing editor to Dance Scope and Performing Arts Journal, and the dance editor of the Chicago Reader and Soho Weekly News. Her books include Democracy’s Body: Judson Dance Theater 1962-1964; Fresh: Hip Hop Don’t Stop, with Nelson George, Susan Flinker, and Patty Romanowski; Our National Passion: 200 Years of Sex in America, with Sheldon Frank and Tem Horwitz; Sweet Home Chicago: The Real City Guide, with Sheldon Frank and Tem Horowitz; and Amazing Grace: Images in the Avant-Garde Arts of the 1960s, to be published in 1990. She has edited Footnote to History, by Si-lan Chen Leyda, and Soviet Choreographers in the 1920s by Elizabeth Souritz. She lives in Freeville, New York.

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Banes, Sally
ISBN 10: 0819561606 ISBN 13: 9780819561602
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Descripción 1987. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería KB-9780819561602

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Banes, Sally
Editorial: Wesleyan
ISBN 10: 0819561606 ISBN 13: 9780819561602
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Descripción Wesleyan. Estado de conservación: BRAND NEW. BRAND NEW Softcover - A dance critic’s essays on post-modern dance. A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Nº de ref. de la librería 2563089

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Sally Banes
Editorial: University Press of New England, United States (1987)
ISBN 10: 0819561606 ISBN 13: 9780819561602
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Descripción University Press of New England, United States, 1987. Paperback. Estado de conservación: New. 2nd Revised edition. Language: English . Brand New Book. Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane s Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the drunk dancing of Fred Astaire. Nº de ref. de la librería AAJ9780819561602

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Sally Banes
Editorial: University Press of New England, United States (1987)
ISBN 10: 0819561606 ISBN 13: 9780819561602
Nuevos Paperback Cantidad: 1
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The Book Depository US
(London, Reino Unido)
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Descripción University Press of New England, United States, 1987. Paperback. Estado de conservación: New. 2nd Revised edition. Language: English . Brand New Book. Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane s Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the drunk dancing of Fred Astaire. Nº de ref. de la librería AAJ9780819561602

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Sally Banes
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ISBN 10: 0819561606 ISBN 13: 9780819561602
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Descripción Wesleyan, 1987. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0819561606

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Editorial: University Press of New England (1987)
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Descripción University Press of New England, 1987. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CD-9780819561602

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Descripción Wesleyan University Press. Paperback. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9780819561602

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Descripción Wesleyan Univ Pr, 1987. Paperback. Estado de conservación: Brand New. reprint edition. 311 pages. 9.25x7.25x1.25 inches. In Stock. Nº de ref. de la librería z-0819561606

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Descripción Wesleyan, 1987. Estado de conservación: New. Nº de ref. de la librería I-9780819561602

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Descripción Wesleyan. Paperback. Estado de conservación: New. 311 pages. Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Banes Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the drunk dancing of Fred Astaire. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780819561602

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