This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
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Descripción Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Kate van Orden is Assistant Professor of Music at the University of California, Berkeley. She has published on the Renaissance chanson and on French symbolism and music. She also specializes in historical performance on the bassoon and h. Nº de ref. del artículo: 595049375