Voicing Memory: History and Subjectivity in French Caribbean Literature (New World Studies) - Tapa dura

A skillful balance of textualist, contextualist, and historical elements that makes a markedly original and substantial contribution to Caribbean studies--it's outstanding. --Laurence M. Porter, author of The Crisis of French Symbolism Voicing Memory differs from all the rest: Nesbitt's thesis of a despondent vision of history in Francophone Caribbean literature, one that is retrospective and profoundly critical, represents a new and original approach that parts company with the celebratory interpretation of the historical theme in the literature. --F. Abiola Irele, author of The African Imagination: Literature in Africa and the Black Diaspora

In Voicing Memory Nick Nesbilt argues that the aesthetic practices of twentieth-century French Caribbean writers reconstruct a historical awareness that had been lost amid the repressive violence of slavery, the plantation system, and colonial exploitation. Drawing on the work of Aime Cesaire, Edouard Glissant, Daniel Maximin, Maryse Conde, and Edwidge Danticat, he shows how these writers use the critical force of the aesthetic imagination to transform the parameters of Antillean experience. The author takes the aesthetic practices of the black Atlantic - Antillean poetry, literature, and theater, but also Haitian vodou and visual arts, American jazz, and West African musical traditions - to constitute the models informing this Caribbean vernacular historiography. At the same time, Nesbitt shows how concepts from Cesaire's ""negritude"" to Glissant's ""relation"" critically rework European theoretical influences to construct a black Atlantic historical self-consciousness. In so doing, Nesbitt points beyond the regionalism of Antillean exoticism to describe French Caribbean literature as a decisive intervention in the construction of a global modernity.