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Sinopsis
Book by Adams Laurie Schneider
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Críticas
"Right now when art historians, much concerned with theory, are rethinking the political implications of their research, there is no more useful, better-natured introduction to these pressing concerns than Laurie Schneider Adams's now classic volume. Effortlessly erudite, determinedly generous, her book provides a lucid introduction to formalism, iconography, Marxism, feminism, psychoanalysis, and structuralism and post-structuralism with new sections on race, gender, orientalism, and colonialism. Her fast-moving, well-balanced commentary provides an ideal introduction to what will, inevitably, be a productive ongoing debate." --David Carrier, Case Western Reserve University, Cleveland Institute of Art "A teacher's dream...A far-ranging, generously sympathetic, well-illustrated, and very clear survey of contemporary concerns with theory...Adams's clear, accurate introduction will be a godsend." --Art Journal "Good, clear introduction for students who don't know their Derridas from their derrieres." --ARLIS News Sheet
Reseña del editor
Since the nineteenth century, when art history became an established academic discipline, works of art have been 'read' in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here (formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender) reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism, and colonialism, and a new epilogue that analyzes a single painting to illustrate the different methodological viewpoints.
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- EditorialRoutledge
- Año de publicación2009
- ISBN 10 0813344506
- ISBN 13 9780813344508
- EncuadernaciónTapa blanda
- Número de edición2
- Número de páginas312
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The Methodologies of Art: An Introduction, Second edition
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ISBN 13: 9780813344508
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The Methodologies of Art: An Introduction, Second edition
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Softcover. Condición: Good. 2. Since the nineteenth century, when art history became an established academic discipline, works of art have been "read" in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here--formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender--reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism and colonialism, along with a new epilogue that approaches a single painting-- Titian's Rape of Lucrezia -- to illustrate the different methodological viewpoints.Contents1. What Is Art?2. Formalism and Style3. Iconography4. Contextual Approaches I: Marxism, Orientalism, Colonialism, and Racial Iconography5. Contextual Approaches II: Feminism and Gender6. Biography and Autobiography7. Semiotics I: Structuralism and Post-Structuralism8. Semiotics II: Deconstruction9. Psychoanalysis I: Freud10. Psychoanalysis II: Winnicott and Lacan11. Aesthetics and Psychoanalysis: Roger Fry and Roland Barthes. Nº de ref. del artículo: SONG0813344506
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The Methodologies of Art : An Introduction
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The Methodologies of Art : An Introduction
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ISBN 13: 9780813344508
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Softcover. Condición: Good. Since the nineteenth century, when art history became an established academic discipline, works of art have been \"read\" in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work\'s perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it\'s made of). The methodologies discussed here--formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender--reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism and colonialism, along with a new epilogue that approaches a single painting-- Titian\'s Rape of Lucrezia -- to illustrate the different methodological viewpoints.Contents1. What Is Art?2. Formalism and Style3. Iconography4. Contextual Approaches I: Marxism, Orientalism, Colonialism, and Racial Iconography5. Contextual Approaches II: Feminism and Gender6. Biography and Autobiography7. Semiotics I: Structuralism and Post-Structuralism8. Semiotics II: Deconstruction9. Psychoanalysis I: Freud10. Psychoanalysis II: Winnicott and Lacan11. Aesthetics and Psychoanalysis: Roger Fry and Roland Barthes. Nº de ref. del artículo: AMPLE0813344506
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ISBN 13: 9780813344508
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