Intertextuality in Literature and Film 13th: Conference on Literature and Film (FLORIDA STATE UNIVERSITY CONFERENCE ON LITERATURE AND FILM//SELECTED PAPERS)

Starting with Dostoevsky's Double: Bakhtin and Nabokov as Intertextualists, by John Burt Foster, Jr. A Character's Indictment of Authorial Subterfuge: The Parody of Texts in Roberto G. Fernandez's Fiction, by Jorge Febles Federated Fancies: Balzac's Lost Illusions and Melville's Pierre, by Benjamin Sherwood Lawson Texts Engendering Texts: A Quebecois Rewriting of American Novels, by Anne Marie Miraglia Silone's "Moses" at the Bitter Fountain: Exodus as Subtext, by Marisa Gatti-Taylor Poetry and Language: Intertextuality in the Works of Jose Angel Valente, by Anita M. Hart Placing Source in Greed and McTeague, by Mary Lawlor Desica's Bicycle Thieves and the Attack on the Classical Hollywood Film, by Gerard Molyneaux Pictures of Pictures: Reference and Reality in Two Script Versions of Potemkin, by Bruce E. Fleming The Compound Genre Film: Billy the Kid Versus Dracula meets The Harvey Girls, by Adam Knee Emblematic Indirections: Benches by Tom Phillips, by Erdmute Wenzel White Elaine D. Cancalon and Antoine Spacagna teach in the Department of Modern Languages at Florida State University.

This work on intertextuality in literature and film looks at Dostoevsky's double, Bakhin and Nabakov; the parody of texts in Roberto G. Fernandez's fiction; Silone's Moses; Desica's Bicycle Thieves; reference and reality in the scripts of Potemkin; and compound genre films.