Irony's Antics: Walser, Kafka, Roth, and the German Comic Tradition - Tapa blanda

"Weitzman has written a thoughtful, thorough, and challenging work of criticism, which should be of great value to scholars of irony and comedy within and beyond the walls of German and Austrian studies, as well as scholars of the three primary authors in question." --The German Quarterly "Weitzman's knowledge of her subject is compelling. She demonstrates thorough familiarity with the theory and history of irony and the comic, as well as with the concepts of wit, play, and jokes. Moreover, as should be evident by now, she is impressively conversant with the German philosophical tradition that informs her eminently theoretical arguments. Irony's Antics is, in short, a high-caliber, innovative addition to the literature on comedy in a cultural tradition that is reputed to be lacking in it." --Monatshefte "Weitzman's theoretical knowledge is staggering . . . Summing Up: Recommended." --CHOICE

Irony's Antics marks a major intervention into the underexplored role of the comic and its relationship to irony in German letters. Combining theoretical breadth with close textual analysis, Erica Weitzman shows how irony, a key term for the German romantics, reemerged in the early twentieth century from a postromantic relegation to the nonsensical and the nihilistic in a way that both rethought romantic irony and dramatically extended its reach. Through readings of works by Robert Walser, Franz Kafka, and Joseph Roth against the rich history of comic theory (particularly Hegel and Freud), Weitzman traces the development of a specifically comic irony in modern German-language literature and philosophy, a play with the irony that is itself the condition for all play. She thus provides a crucial reevaluation of German literary history and offers new insights into the significance of irony and the comic from the Enlightenment to the present day.