Twilight of the Eastern Gods - Tapa dura

Praise for Twilight of the Eastern Gods

"Kadare's novels are full of startlingly beautiful lines . . . bracingly original similes swarm with an apparent casualness. . . . gloomy and death-obsessed, but also frequently hilarious. . . . it reminded me of Roberto Bolaño's The Savage Detectives locked in a freezer, or a version of Adelle Waldman's The Love Affairs of Nathaniel P. set in a Brooklyn where it was always snowing, all the young writers in the city lived in the same building, everyone regularly consumed debilitating quantities of vodka, and each was suspected of being a government informer."--Christian Lorentzen, New York Times Book Review

"An interesting insider view of one of the more famous periods of twentieth-century literature. . . .Readers are left not with any great insights, but instead with a sense of slow-motion, Kafkaesque torpor. . . . readers will come away from Twilight of the Eastern Gods with a better understanding of what it was like for one writer to trudge along under Nikita Khrushchev's thumb." --Washington Independent Review of Books

"A brilliant . . . treatment of Soviet literary culture during the later Leonid Brezhnev years."--The Millions

"Personal and inventive and only lightly fictionalized."--The Herald (Scotland)

Praise for Ismail Kadare:

"An incisive, biting work. . . . refines our understanding of satire's nature."--NPR, on The Fall of the Stone City

"The name of the Albanian novelist Ismail Kadare regularly comes up at Nobel Prize time, and he is still a good bet to win it one of these days. . . . He is seemingly incapable of writing a book that fails to be interesting."--New York Times, on The Accident

"Ismail Kadare is one of Europe's most consistently interesting and powerful contemporary novelists, a writer whose stark, memorable prose imprints itself on the reader's consciousness."--Los Angeles Times, on The Siege

"A dreamworld where history and fiction come together . . . Ismail Kadare's subject, as always, is the presence of the past. . . . more astonishing and truthful than any mere documentary chronicle."--Guardian, on The Fall of the Stone City

"[Kadare's] fiction offers invaluable insights into life under tyranny. . . . But his books are of more than just political statement--at his best he is a great writer, by any nation's standards."--Financial Times, on The Siege

"Kadare is inevitably linked to Orwell and Kundera, but he is a far deeper ironist than the first, and a better storyteller than the second. He is a compellingly ironic storyteller because he so brilliantly summons details that explode with symbolic reality."--New Yorker, on The Accident

In 1958, Kadare was selected to pursue his writing and literary studies as a graduate student in Moscow at the prestigious Gorky Institute for World Literature.Twilight of the Eastern Gods is Kadare's fictionalized recreation of his time spent at this "factory of the intellect," a place created to produce a new generation of poets, novelists, and playwrights, all adhering to the state-sanctioned socialist realist” aesthetic.

During his time at the Gorky Institute, a kind of miniature Soviet Union where writers from deepest Siberia, Kazakhstan, and the Caucasus all came to study, Kadare was caught up in the furore over Boris Pasternak's Nobel Prize win, when the Soviet Union demanded that Pasternak refuse the foreign, bourgeois award, or be sentenced to exile. Kadare’s time at the Institute, the drunken nights, corrupt professors, and enforced aesthetics are fictionalized in a novel that entwines Russian and Albanian myth with history.Twilight of the Eastern Gods is a portrait of a city and a story of youth, disenchantment, and the incredible importance of the written word.