The Daylight Gate - Tapa dura

"More than a re-imagining of a vanished moment. It is concerned with freedom, choice, and destiny, truth to emotion and to personal experience, the nature of conviction and belief, evil and, above all, good. . . . Winterson's intensely graphic descriptions of the witches' practices and their suffering create a fictional world of claustrophobic nightmarishness. . . . "The Daylight Gate" is angry, red in tooth and claw, bloody, suppurating, replete with an agony that is startlingly physical. . . . The novel is a tour de force of horror writing, but it never descends into shilling-shocker territory. It's an almost impossible balance for the writer to strike, but Winterson succeeds triumphantly. . . . Slips effortlessly between apparent realism and full-throttle fantasy, grotesquerie or burlesque. It makes for exhilarating if unsettling reading."--"The Saturday Times"
"Sophisticated . . . Visceral . . . Utterly compulsive, thick with atmosphere and dread, but sharp intelligence too."--"The Telegraph"
"Gripping . . . The narrative voice is irrefutable; this is old-fashioned storytelling, with a sermonic tone that commands and terrifies. . . . [Winterson] knows where true horror lies. Not in fantastical dimensions, but in the terrestrial world. Most grotesque and curdling are the visceral depictions of seventeenth century Britain--the squalor, inequality, and religious eugenics. . . . As well as being a gripping Gothic read, the book provides historical social commentary on the phenomenon of witchcraft and witchcraft persecution."--"The Guardian"
"Vigorous . . . Filled with Winterson's characteristic intelligence and energy . . . This dark story with its fantastical trappings of magic and mysticism, its strong women and wild, Lancastrian setting is Winterson's natural habitat and she maps it with relish."--"New Statesman"
"Part history, part legend, part fairy tale, Winterson's writing is vivacious and energetic. . . . Winterson has crafted
"Winterson's writing has an uncanny glow: Her pared-down, poetic prose serves as an artful yet unobtrusive foil to the quick, visceral cadence of a plot that walks a fine line between gothic horror and historical fiction, tempering the shock value of its sex and violence. From one gruesome development to the next, Winterson's haunting imagery and narrative immediacy captivate...an engrossing story that's sure to leave you shivering."--Catherine Straut, "Elle"
"Electrifying.... a nightmarish novella that burns like a hot coal."--"Kirkus Reviews"(starred)
"Absorbing...[there is] pleasure in its intensely visual qualities."--"Publishers Weekly"(starred)
"More than a re-imagining of a vanished moment. It is concerned with freedom, choice, and destiny, truth to emotion and to personal experience, the nature of conviction and belief, evil and, above all, good. . . . Winterson's intensely graphic descriptions of the witches' practices and their suffering create a fictional world of claustrophobic nightmarishness. . . . "The Daylight Gate" is angry, red in tooth and claw, bloody, suppurating, replete with an agony that is startlingly physical. . . . The novel is a tour de force of horror writing, but it never descends into shilling-shocker territory. It's an almost impossible balance for the writer to strike, but Winterson succeeds triumphantly. . . . Slips effortlessly between apparent realism and full-throttle fantasy, grotesquerie or burlesque. It makes for exhilarating if unsettling reading."--"The Saturday Times"
"Sophisticated . . . Visceral . . . Utterly compulsive, thick with atmosphere and dread, but sharp intelligence too."--"The Telegraph"
"Gripping . . . The narrative voice is irrefutable; this is old-fashioned storytelling, with a sermonic tone that commands and terrifies. . . . [Winterson] knows where true horror lies. Not in fantastical dimensions, but in the terrestrial world. Most grotesque and curdling are the viscera

"More than a shivery treat... This harrowing novel, set in early-17th-century England, touches on nearly every aspect of witchcraft, both historical and imaginative. In little more than 200 pages, Jeanette Winterson depicts starving hags, gorgeous Renaissance orgies, alchemists searching for the secret of eternal life, horrific torture and even the Dark Gentleman himself. Much of the story, moreover, is true.... The Daylight Gate proffers a series of short, sharp shocks... the reader ... is gripped by the realistic horrors and brutality Winterson describes... Winterson neatly shifts back and forth among various "realities" throughout... Yet she never tries to dazzle the reader, keeping her sentences sober, precise and solemnly beautiful as the novel moves along with a steady relentlessness.... utterly spellbinding."--Michael Dirda, Washington Post
"Mixing historical detail and dark horror, the author brilliantly brews a spellbinding take on the 1612 English witch trials."--People
"A daring historical novel...a portal in prose, through which readers enter fully into the bloody, raucous England of the early 17th century....Any reader who crosses over into this novel will remember vividly where he or she has traveled -- through the tumultuous years when English heroines and witches appeared interchangeable, and passion erupted at the gateway between love and despair."--Alan Cheuse, NPR
"Winterson's writing has an uncanny glow: Her pared-down, poetic prose serves as an artful yet unobtrusive foil to the quick, visceral cadence of a plot that walks a fine line between gothic horror and historical fiction, tempering the shock value of its sex and violence. From one gruesome development to the next, Winterson's haunting imagery and narrative immediacy captivate...an engrossing story that's sure to leave you shivering."--Catherine Straut, Elle
"Electrifying.... a nightmarish novella that burns like a hot coal."--Kirkus Reviews(starred)
"Absorbing...[there is] pleasure in its intensely visual qualities."--Publishers Weekly(starred)
"More than a re-imagining of a vanished moment. It is concerned with freedom, choice, and destiny, truth to emotion and to personal experience, the nature of conviction and belief, evil and, above all, good. . . . Winterson's intensely graphic descriptions of the witches' practices and their suffering create a fictional world of claustrophobic nightmarishness. . . . The Daylight Gate is angry, red in tooth and claw, bloody, suppurating, replete with an agony that is startlingly physical. . . . The novel is a tour de force of horror writing, but it never descends into shilling-shocker territory. It's an almost impossible balance for the writer to strike, but Winterson succeeds triumphantly. . . . Slips effortlessly between apparent realism and full-throttle fantasy, grotesquerie or burlesque. It makes for exhilarating if unsettling reading."--The Saturday Times
"Sophisticated . . . Visceral . . . Utterly compulsive, thick with atmosphere and dread, but sharp intelligence too."--The Telegraph
"Gripping . . . The narrative voice is irrefutable; this is old-fashioned storytelling, with a sermonic tone that commands and terrifies. . . . [Winterson] knows where true horror lies. Not in fantastical dimensions, but in the terrestrial world. Most grotesque and curdling are the visceral depictions of seventeenth century Britain--the squalor, inequality, and religious eugenics. . . . As well as being a gripping Gothic read, the book provides historical social commentary on the phenomenon of witchcraft and witchcraft persecution."--The Guardian
"Vigorous . . . Filled with Winterson's characteristic intelligence and energy . . . This dark story with its fantastical trappings of magic and mysticism, its strong women and wild, Lancastrian setting is Winterson's natural habitat and she maps it with relish."--New Statesman
"Part history, part legend, part fairy tale, Winterson's writing is vivacious and energetic. . . . Winterson has crafted a protagonist who is heroic and admirable but uncertain of her own destiny, a character who explores the emotional alchemy of -female relationships. The Daylight Gate is a fast-paced, vivid novella that is every bit as dark, dangerous and sexually charged as one might expect from a storyteller of Winterson's calibre."--Scotland on Sunday
"A story about the sacrifices people make for those they love . . . [Winterson]describes the area and the claustrophobic atmosphere beautifully. But her great skill as an author is most evident in the way she navigates past the cliches of the occult genre, while creating a novel of genuine horror. The Daylight Gate is an enthralling story unfussily told. I read it all in one sitting, only wishing there were more."--London Evening Standard

"Dazzling . . . Winterson is a deft storyteller and a writer of wonderful economy. . . . Amid the blood, mud, and violence, [it is also] intensely poetic. . . . One of the very few contemporary novels that I actually wished were longer."--Literary Review
"Winterson lavishly embroiders a tale rich in Gothic supernatural touches, but mainly accentuates the very real torment and degradation endured by [the] accused. . . . In a feverish climate, where fear of women and their sexuality often translated into rape and persecution, Winterson creates a deliciously dreadful tale that cleverly blurs the line between real and imagined horror."--Metro (4 stars)
"The beauty of the writing, exemplary in its pared-down simplicity . . . [is] so seductive that by the middle I was hooked."--The Independent

Alice Nutter fights for justice when a group of women are accused of witchcraft during the reign of England's James I, when being Catholic is considered an act of treason and the Latin High Mass is comparable to the satanic Black Mass. 20,000 first printing.