Contact Improvisation: An Introduction to a Vitalizing Dance Form

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9780786426478: Contact Improvisation: An Introduction to a Vitalizing Dance Form

In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name “contact improvisation” was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community. The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites.

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About the Author:

Cheryl Pallant is a dancer, dance critic, and teacher at the University of Richmond and Virginia Commonwealth University. She leads contact improvisation workshops around the world.

Review:

"recommended"--Choice; "fantastic...a book to treasure"--Proximity.

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Cheryl Pallant
Editorial: McFarland Co Inc, United States (2006)
ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descripción McFarland Co Inc, United States, 2006. Paperback. Estado de conservación: New. Language: English . Brand New Book. In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer, Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name contact improvisation was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book, the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community.The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Nº de ref. de la librería AAC9780786426478

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Cheryl Pallant
Editorial: McFarland Co Inc, United States (2006)
ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descripción McFarland Co Inc, United States, 2006. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer, Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name contact improvisation was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book, the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community.The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Nº de ref. de la librería BTE9780786426478

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Cheryl Pallant
Editorial: McFarland Co Inc, United States (2006)
ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descripción McFarland Co Inc, United States, 2006. Paperback. Estado de conservación: New. Language: English . Brand New Book. In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer, Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name contact improvisation was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book, the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community.The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Nº de ref. de la librería AAC9780786426478

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ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descripción McFarland and Co Inc, 2006. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780786426478

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Descripción McFarland & Company, Inc., Pub, 2006. Paperback. Estado de conservación: New. Nº de ref. de la librería 0786426470

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Descripción 2006. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería KS-9780786426478

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Descripción Paperback. Estado de conservación: New. Paperback. In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer, Steve Paxton in the 1970s considered this distance a terr.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 195 pages. 0.295. Nº de ref. de la librería 9780786426478

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