A Darkness More Than Night (Harry Bosch Series) - Tapa blanda

Críticas

Michael Connelly has created a range of memorable cops and robbers, any one who could sustain a series ... This book is ingenious, original and - with every beat of its procedural heart - authentic (LITERARY REVIEW)

A DARKNESS MORE THAN NIGHT ... has the authentic Connelly touches - crisp dialogue, masterly pacing and his familiar preoccupation with the battle against evil - and it makes gripping reading (DAILY TELEGRAPH)

Another gripping, well-written thriller. At times gut-wrenchingly scary, at times maddeningly cryptic, he keeps you enthralled to the last page (DAILY MAIL)

There's no doubt that when it comes to crime writing Connelly is right on top of the heap: impelled by a ferociously powerful narrative drive, his books grip with the prehensile strength of a mole wrench ... far better than its rivals, with a brilliantly organised plot and a genuinely exciting ending (EVENING STANDARD)

The plot rattles along in fifth gear, with upsets galore on every page. A thrilling, challenging read, as one has come to expect from Connelly (GUARDIAN)

A richly plotted and complex novel ... The resolution is brilliantly worked out ... and, as is usual with this author, there is a coda that brings more surprises. A rich and satisfying read, this, and one that throws light on the dark underbelly of human behaviour (IRISH TIMES)

Connelly writes with a controlled fury that jumps right off the page. This is sublime stuff (INDEPENDENT ON SUNDAY)

Connelly's many fans are in for a treat because his latest novel features his unorthodox streetwise cop Harry Bosch and brilliant psychological profiler Terry McCaleb ... Sharply original and unfailingly gripping (MAIL ON SUNDAY)

Reseña del editor

McCaleb, now married to Graciela and with a baby daughter, is persuaded to take a case from the LA County Sheriff's office. He is asked to profile the killer of an unsolved murder. The victim was a scuzzball who six years earlier had been arrested by Harry Bosch for murder but then released uncharged by the DA's office.

In doing what he does best - reviewing the crime scene tapes and investigative records - McCaleb picks up a clue the sheriffs missed, a plastic owl left at the crime scene that the sheriffs thought belonged to the victim. McCaleb discovers that it was left by the killer as a message. He traces this symbol to an icon used as a sign of evil in renaissance paintings, and finds that one of the most frequent users of this iconography was none other than Hieronymus Bosch, which makes Harry a suspect. The book becomes an examination of Harry Bosch through the eyes of McCaleb.

Meanwhile Bosch is in the midst of a high stakes trial being covered in the press by Jack McEvoy. Bosch was lead investigator on a murder case that saw the arrest of the son of a wealthy and powerful man. As the trial progresses the defence strategy becomes clear: put Bosch on trial instead of the rich kid, make the focus on Bosch and his methods. McCaleb and Bosch, first at odds, must now work together to clear Harry's name . . .