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Descripción Hardcover. Condición: Brand New. 166 pages. 8.25x5.25x0.50 inches. In Stock. Nº de ref. del artículo: __071905365X
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Descripción Hardcover. Condición: new. Hardcover. A comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema. It deals not only with his 13 feature-length films but also his little-seen early short "Affaires Publiques" and his short treatise "Notes on Cinematography". Bresson's use of "models" (he refuses to use the term "actors"), his sparse and elliptical editing style, his rejection of conventional psychological realism make his work unique and instantly recognisable. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis. Bresson has never feared controversy and the major critical responses to his work, from the adulatory to the dismissive, are summarised and analyzed. The work includes a full filmography and a critical bibliography. This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema. Bresson's unique use of "models" (he refuses the term "actors"), his sparse and elliptical editing style, his rejection of conventional psychological realism make his work all but unique and instantly recognizable. This is the first monograph on his work to appear in English for many years, and deals with his thirteen feature-length films and his short treatise "Notes on Cinematography." Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780719053658