'Fascinating... elaborate characters leap off almost ever page. A serious piece of scholarship, but one that reads like a novel.' * Observer * 'Nazi-occupied Paris is brought to life in this meticulous chronicle of writers, dancers, filmmakers, theatrical producers and others.' * The New Yorker * 'Certainly one of the finest works of serious popular history.' * The Washington Post * 'Underpinned by meticulous research... built on the premise that intellectuals have special responsibilities, especially in difficult times, and [Alan Riding] skilfully engages with the complexities of the period... he neither falls into moral relativism nor indulges in accusatory finger-pointing.' Times Literary Supplement * Times Literary Supplement * 'A superbly fair-minded, well-researched, well-written and nuanced investigation into the greyest of all the moral grey areas of twentieth century history.' * Andrew Roberts *
In June 1940, Paris fell to the Nazis who made the world's cultural capital their favourite entertainment ground. Music halls and cabarets thrived during the occupation, providing plenty of work for actors, singers and musicians except for the Jews. The likes of Maurice Chevalier and Edith Piaf, who had entertained the French troops, now unabashedly provided amusement to the Germans. After the invasion of France, those artists still in Paris had to find ways to survive. Although Matisse and others kept out of view, Picasso could not avoid Nazi visitors. A few, like Beckett, joined the Resistance. Some were arrested and died in German hands. Others entertained the enemy. The theatres reopened, the movie cameras rolled, galleries sold paintings looted from Jewish families, pro-German writers and their rivals fought in print. Told through the experiences of renowned creative figures and witnesses of the times, And the Show Went On is an authoritative account of how Paris's artistic world lived through the Occupation during which some suffered Nazi oppression while others prospered through collaboration.
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