Vija Celmins - Tapa blanda

"A superb addition to an addictive series."-Time Out On the Contemporary Artists Series "The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."-Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."-Time Out "A unique series of informative monographs on individual artists."-The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."-The Art Book

The magnificent artworks of the Latvia-born, U.S.-based Vija Celmins (b.1938) all testify to her undying fascination with the world around her - whether commonplace objects in her studio, the natural landscapes of her adopted California, or the pebbles beneath her feet. Primarily a painter of still life and landscape, Celmins is associated with 1960s Pop art and often uses photographs to create her signature 'impossible images', such as just-fired revolvers or exploding airplanes. Temporarily abandoning painting in the 1970s, Celmins turned her attention to drawing exquisite graphite seascapes and other vast natural landscapes. Like the night skies she began in the 1980s, the artist explains, hers are 'unbound spaces' wrestled into two-dimensions. As with her later spider webs, Celmins often blurs the boundaries of photography, painting, printmaking and drawing. Now based in New York, Celmins has exhibited widely since the 1960s in museums such as the Whitney Museum of American Art, New York; the ICA, London; Museu Nacional Centro de Arte Reina Sofia, Madrid; and the Museum fur Moderne Kunst, Frankfurt. In the Interview noted artist Robert Gober speaks with Celmins about their differing studio habits and the sources behind her work. Critic Lane Relyea surveys the artist's long and unique career with emphasis on her formative early paintings. Art historian and theorist Briony Fer in her Focus takes a deep look into Night Sky no. 19 (1998). In parallel to Celimins' own limitless depiction of the world, the Artist's Choice is Jorge Luis Borges' tale Funes the Memorious, about the vastness of human memory. Arists Writings include excerpts from her important 1991 interview with artist Chuck Close.