Los-Angeles-based artist Paul McCarthy (b.1945) creates Disneyesque installations, sculptures of animal/vegetable/human hybrids and slapstick performances in a purge of a national subconscious. The psycho-sexual desires and anxieties induced by the media and the built environment of contemporary America emerge in his collisions of plastic prosthetic limbs and condiments that stand in for bodily fluids. These works have been variously deployed: through live actions, often documented on video, and more recently in outsized figures and artificial rural environments, combined in overtly sexual ways. McCarthy's work echoes that of European artists such as Joseph Beuys or the Viennese Aktionistes, but gives 'action art' a postmodern twist. This is the first comprehensive survey of over twenty years of work by a profoundly influential artist whose work is in the collections of the world's most important museums.Ralph Rugoff, curator, critic and author of Circus Americanus, has created an important critical framework for contemporary West Coast art. In the Survey he identifies key themes in McCarthy's oeuvre and sets them within a broader cultural context. Expert on live arts and co-editor of Theories and Documents of Contemporary Art, Kristine Stiles talks with the artist about his performances. Giacinto Di Pietrantonio, celebrated for his writings in Flash Art and his curating of public art projects in Italy, focuses on McCarthy's Pinocchio Pipenose Householddilemma, a nineteenth-century tale told in a post-Disney world. For the Artist's Choice, McCarthy has spliced together various fragments from Jean-Paul Sartre's Nausea, creating his own non-linear rendition of this classic existential novel. The book also includes interviews and previously unpublished notes and poems towards sculptures, performances and videos.
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Ralph Rugoff is Director of the Hayward Gallery in London.Kristine Stiles is Professor and Director of Undergraduate Studies in Art, Art History & Visual Studies at Duke University.Giacinto Di Pietrantonio is Director of the Galleria d'Arte Moderna e Contemporanea in Bergamo.From Library Journal:
If we are to see art as a mirror of society, the work of Paul McCarthy reflects all that is perverted, violent, and deranged in this world. Characterized by crawling around on hands and knees in specially built environments (e.g., Santa's workshop) and dousing his body in ketchup and mayonnaise, his performances repulse, but he remains one of the most talked-about artists today. Published in conjunction with a retrospective exhibition at New York's New Museum of Contemporary Art, this catalog documents over 30 years of McCarthy's art, including performance, installation, video, and photographic work. One of the strengths of this publication is the critical analysis provided by three highly regarded scholars. In comparison, the 1996 monograph from Phaidon Press's "Contemporary Artist" series of the same title offers performance scripts, interviews with the artist, and samples of his own writing. Both publications offer a plethora of color and black-and-white reproductions. Recommended for libraries with good contemporary art collections. Krista Ivy, Bryn Mawr Coll. Lib., PA
Copyright 2001 Reed Business Information, Inc.
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Descripción Phaidon Press, 1996. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 714835528
Descripción Phaidon Press, 1996. Paperback. Estado de conservación: New. Nº de ref. de la librería P110714835528
Descripción Phaidon Press. PAPERBACK. Estado de conservación: New. 0714835528 New Condition. Nº de ref. de la librería NEW6.0361441
Descripción Phaidon Press, 1996. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0714835528