The Age of Auden: Postwar Poetry and the American Scene - Tapa dura

Winner of the 2012 SAMLA Studies Award, South Atlantic Modern Language Association One of Choice's Outstanding Academic Titles for 2011 "Auden's productivity and out-flung array of styles complicate Mr. Wasley's chosen task of tracking influences--and render it all the more gratifying when he unfolds some unexpected linkage. He is surely right when pointing out that no other poet of our time has assembled so disparate a circle of admirers. Auden's followers range from James Merrill to Allen Ginsberg, Anthony Hecht to Adrienne Rich, Robert Hayden to Maxine Kumin, Joseph Brodsky to John Ashbery... Though Auden's influence is powerful and broad, The Age of Auden helpfully delineates its borders. The battle of literary reputations takes place in a dusty arena, and W. H. Auden will surely be one of those titanic figures that loom through whatever dim clouds arise. He will remain unignorable."--Brad Leithauser, Wall Street Journal "This substantial study focuses on his life and work after his emigration to America just before World War II, and his profound influence on younger US poets... As a work of old-style literary criticism based on close textual analysis, this is a book for students, and for lovers of Auden and post-war American poetry."--The Age "A poetry anthology is elevated to greatness when, in offering the work of artists at their best moments, it reveals clear affinities between the works. Wasley's effort is that scholarly rarity: a critical examination that functions as a great anthology."--Choice "The reality of Auden's influence is undeniable, and Wasley's retracing is both nuanced and revealing."--James Gifford, Years Work in English Studies

W. H. Auden's emigration from England to the United States in 1939 marked more than a turning point in his own life and work--it changed the course of American poetry itself. The Age of Auden takes, for the first time, the full measure of Auden's influence on American poetry. Combining a broad survey of Auden's midcentury U.S. cultural presence with an account of his dramatic impact on a wide range of younger American poets--from Allen Ginsberg to Sylvia Plath--the book offers a new history of postwar American poetry. For Auden, facing private crisis and global catastrophe, moving to the United States became, in the famous words of his first American poem, a new "way of happening." But his redefinition of his work had a significance that was felt far beyond the pages of his own books. Aidan Wasley shows how Auden's signal role in the work and lives of an entire younger generation of American poets challenges conventional literary histories that place Auden outside the American poetic tradition. In making his case, Wasley pays special attention to three of Auden's most distinguished American inheritors, presenting major new readings of James Merrill, John Ashbery, and Adrienne Rich. The result is a persuasive and compelling demonstration of a novel claim: In order to understand modern American poetry, we need to understand Auden's central place within it.