From Caligari to Hitler: A Psychological History of the German Film

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9780691115191: From Caligari to Hitler: A Psychological History of the German Film

A landmark, now classic, study of the rich cinematic history of the Weimar Republic, From Caligari to Hitler was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin's and Theodor Adorno's intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer's pioneering book, which examines German history from 1921 to 1933 in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast.In From Caligari to Hitler, Siegfried Kracauer--the German-born writer and film critic who shared many ideas and interests with his friend Walter Benjamin--made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s such as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film.


In From Caligari to Hitler, Siegfried Kracauer made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film.


Kracauer was an important film critic in Weimar Germany. A Jew, he escaped the rise of Nazism, fleeing to Paris in 1933. Later, in anguish after Benjamin's suicide, he made his way to New York, where he remained until his death in 1966. He wrote From Caligari to Hitler while working as a "special assistant" to the curator of the Museum of Modern Art's film division. He was also on the editorial board of Bollingen Series. Despite many critiques of its attempt to link movies to historical outcomes, From Caligari to Hitler remains Kracauer's best-known and most influential book, and a seminal work in the study of film. Princeton published a revised edition of his Theory of Film: The Redemption of Physical Reality in 1997.

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From the Inside Flap:

"An undisputed classic of modern film historiography, Kracauer's From Caligari to Hitler had a major impact on the way we relate movies to history and society. Although Kracauer is not afraid of using such contested concepts as collective psychology and German 'soul,' his productive readings of Weimar films as harbingers of emerging fascism still resonate today. Leonardo Quaresima's engaging and erudite introduction is critical in situating Kracauer's project both in its historical moment and in our time."--Anton Kaes, University of California, Berkeley

About the Author:

Siegfried Kracauer (1889-1966) was a film critic and independent film historian and theorist. He is the author of The Mass Ornament and A Theory of Film: The Redemption of Physical Reality, edited by Miriam Bratu Hansen (Princeton). Leonardo Quaresima is Professor of Film History and Criticism and Director of Cinema Studies at the University of Udine, Italy.

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1.

Siegfried Kracauer
Editorial: Princeton University Press, United States (2004)
ISBN 10: 0691115192 ISBN 13: 9780691115191
Nuevos Paperback Cantidad: 1
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Descripción Princeton University Press, United States, 2004. Paperback. Estado de conservación: New. Rev and Expanded ed.. Language: English . Brand New Book. A landmark, now classic, study of the rich cinematic history of the Weimar Republic, From Caligari to Hitler was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin s and Theodor Adorno s intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer s pioneering book, which examines German history from 1921 to 1933 in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast.In From Caligari to Hitler, Siegfried Kracauer--the German-born writer and film critic who shared many ideas and interests with his friend Walter Benjamin--made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s such as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film. In From Caligari to Hitler, Siegfried Kracauer made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film. Kracauer was an important film critic in Weimar Germany. A Jew, he escaped the rise of Nazism, fleeing to Paris in 1933. Later, in anguish after Benjamin s suicide, he made his way to New York, where he remained until his death in 1966. He wrote From Caligari to Hitler while working as a special assistant to the curator of the Museum of Modern Art s film division. He was also on the editorial board of Bollingen Series. Despite many critiques of its attempt to link movies to historical outcomes, From Caligari to Hitler remains Kracauer s best-known and most influential book, and a seminal work in the study of film. Princeton published a revised edition of his Theory of Film: The Redemption of Physical Reality in 1997. Nº de ref. de la librería AAU9780691115191

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Siegfried Kracauer, Leonardo Quaresima
Editorial: Princeton University Press 2004-05-11, Princeton, N.J. |Oxford (2004)
ISBN 10: 0691115192 ISBN 13: 9780691115191
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Descripción Princeton University Press 2004-05-11, Princeton, N.J. |Oxford, 2004. paperback. Estado de conservación: New. Nº de ref. de la librería 9780691115191

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Kracauer, Siegfried
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Descripción Princeton University Press, 2004. Estado de conservación: New. 2004. Rev Exp. Paperback. A study of the cinematic history of the Weimar Republic. It examines German history from 1921 to 1933 in light of such movies as "The Cabinet of Dr Caligari", "M", "Metropolis", and "The Blue Angel". It is suitable for the film historian, film theorist, or cinema enthusiast. Editor(s): Quaresima, Leonardo. Num Pages: 432 pages, 64 halftones. BIC Classification: 1DFG; APF; JMA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 233 x 154 x 26. Weight in Grams: 638. . . . . . . Nº de ref. de la librería V9780691115191

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Kracauer, Siegfried
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Siegfried Kracauer
Editorial: Princeton University Press, United States (2004)
ISBN 10: 0691115192 ISBN 13: 9780691115191
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Descripción Princeton University Press, United States, 2004. Paperback. Estado de conservación: New. Rev and Expanded ed.. Language: English . Brand New Book. A landmark, now classic, study of the rich cinematic history of the Weimar Republic, From Caligari to Hitler was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin s and Theodor Adorno s intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer s pioneering book, which examines German history from 1921 to 1933 in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast.In From Caligari to Hitler, Siegfried Kracauer--the German-born writer and film critic who shared many ideas and interests with his friend Walter Benjamin--made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s such as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film. In From Caligari to Hitler, Siegfried Kracauer made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film. Kracauer was an important film critic in Weimar Germany. A Jew, he escaped the rise of Nazism, fleeing to Paris in 1933. Later, in anguish after Benjamin s suicide, he made his way to New York, where he remained until his death in 1966. He wrote From Caligari to Hitler while working as a special assistant to the curator of the Museum of Modern Art s film division. He was also on the editorial board of Bollingen Series. Despite many critiques of its attempt to link movies to historical outcomes, From Caligari to Hitler remains Kracauer s best-known and most influential book, and a seminal work in the study of film. Princeton published a revised edition of his Theory of Film: The Redemption of Physical Reality in 1997. Nº de ref. de la librería AAU9780691115191

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Kracauer, Siegfried
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Descripción Princeton University Press. Estado de conservación: New. 2004. Rev Exp. Paperback. A study of the cinematic history of the Weimar Republic. It examines German history from 1921 to 1933 in light of such movies as "The Cabinet of Dr Caligari", "M", "Metropolis", and "The Blue Angel". It is suitable for the film historian, film theorist, or cinema enthusiast. Editor(s): Quaresima, Leonardo. Num Pages: 432 pages, 64 halftones. BIC Classification: 1DFG; APF; JMA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 233 x 154 x 26. Weight in Grams: 638. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780691115191

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Descripción 2004. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780691115191

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Siegfried Kracauer, Leonardo Quaresima
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Descripción Princeton University Press. Paperback. Estado de conservación: new. BRAND NEW, From Caligari to Hitler: A Psychological History of the German Film, Siegfried Kracauer, Leonardo Quaresima, A landmark, now classic, study of the rich cinematic history of the Weimar Republic, From Caligari to Hitler was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin's and Theodor Adorno's intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer's pioneering book, which examines German history from 1921 to 1933 in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast.In From Caligari to Hitler, Siegfried Kracauer--the German-born writer and film critic who shared many ideas and interests with his friend Walter Benjamin--made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s such as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film. In From Caligari to Hitler, Siegfried Kracauer made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film. Kracauer was an important film critic in Weimar Germany. A Jew, he escaped the rise of Nazism, fleeing to Paris in 1933. Later, in anguish after Benjamin's suicide, he made his way to New York, where he remained until his death in 1966. He wrote From Caligari to Hitler while working as a "special assistant" to the curator of the Museum of Modern Art's film division. He was also on the editorial board of Bollingen Series. Despite many critiques of its attempt to link movies to historical outcomes, From Caligari to Hitler remains Kracauer's best-known and most influential book, and a seminal work in the study of film. Princeton published a revised edition of his Theory of Film: The Redemption of Physical Reality in 1997. Nº de ref. de la librería B9780691115191

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