In My House - Tapa dura

Críticas

This stunningly accomplished first novel whips along like a thriller, and presents the reader with one more dilemma after another ... A must for the intelligent book group. (Kate Saunders, The Times)

Involving and original ... Hourston resolutely avoids the predictable, skilfully throwing the reader off-balance and creating a compelling sense of unease that shimmers unsettlingly beneath the ordinary lives she explores ... a strikingly promising debut. Caustically perceptive, wryly funny, occasionally devastatingly tender, Maggie Benson is a terrific protagonist; like all the most satisfactory characters in fiction, she is both infuriatingly contradictory and entirely plausible. (Guardian)

A slow burner that delivers in a most satisfying way. (Fanny Blake, Woman & Home)

What would you do if you were in a toilet queue at Gatwick and someone mouthed the word, 'help'? So starts Hourston's intriguing debut novel before grabbing your hand and running headlong to its unsettling finale. (Stylist)

The most original, well-observed and well-sustained first novel I've read in a long time. Alex Hourston has a really cool, unnerving way with words. It's crammed full of small, terrifyingly honest details which you feel ought to be in novels but rarely are. I loved it! (Julie Myerson)

'Unsettling ... with a very persuasive thread of menace.' (Observer)

'An unsettling story about the friendship between a lonely older woman and an Albanian teenage girl she rescues from a trafficker at Gatwick airport. So accomplished, it's hard to believe this is Alex Hourston's first novel. (Good Housekeeping)

With unflinching coolness and a voice vice-grip strong, you have no choice but to listen to Maggie as she tells her story. (Sainsbury's Magazine)

Full of the most dazzling observations which, as a writer, I wish that I'd had myself. (Allison Pearson)

An unsettling but powerful story about family breakdown and urban loneliness. (Sunday Mirror)

Reseña del editor

In the queue for the toilets at Gatwick, a teenage girl catches 57-year-old Margaret Benson's eye in the mirror and mouths the world help. Margaret's reaction leads to the dramatic rescue of the teenager from her trafficker and Margaret becomes a hero.

But when the story gets picked up by the papers, Margaret is panicked by the publicity, as well as the strange phone calls she begins to receive. Meanwhile Anja makes contact. She wants to thank her rescuer, but she also quickly inserts herself into Margaret's lonely life. As their friendship develops, so do questions: who is Margaret hiding from, and what are Anja's true motives? And what is the cost of living a lie?