"Englander's voice is distinctly his own--daring, funny and exuberant." --Michiko Kakutani, "The New York Times" "Taut, edgy, sharply observed. . . . A revelation of the human condition." --"The New York Times Book Review" "Remarkable art. . . .The author fills each of these pieces with vivid life, with characters that jump off the page." --"Newsday" "Every so often there's a new voice that entirely revitalizes the story. . . . It's happening again with Nathan Englander, whose precise, funny, heartbreaking, well-controlled but never contrived stories open a window on a fascinating landscape we might never have known was there. It's the best story collection I've read in ages." --Ann Beattie "His characters are marvelously sympathetic creations. . . . What is most striking about the collection is not the subject matter but Englander's genius for telling a tale. . . . Invite[s] comparison to some of the best storytellers--Gogol, Singer, Kafka and even John Cheever." --"Time Out New York" " Englander's voice is distinctly his own--daring, funny and exuberant." --Michiko Kakutani, "The New York Times" " Taut, edgy, sharply observed. . . . A revelation of the human condition." --"The New York Times Book Review" " Remarkable art. . . .The author fills each of these pieces with vivid life, with characters that jump off the page." --"Newsday" " Every so often there's a new voice that entirely revitalizes the story. . . . It's happening again with Nathan Englander, whose precise, funny, heartbreaking, well-controlled but never contrived stories open a window on a fascinating landscape we might never have known was there. It's the best story collection I've read in ages." --Ann Beattie " His characters are marvelously sympathetic creations. . . . What is most striking about the collection is not the subject matter but Englander's genius for telling a tale. . . . Invite[s] comparison to some of the best storytellers--Gogol, Singer, Kafka and even John Cheever." --"Time Out New York"
Nathan Englander's first work of fiction, published when he was in his late twenties, landed him firmly in the company of Bellow, Malamud, Singer and Roth, with ten delightfully irreverent stories rooted in the weight of Jewish history and the customs of orthodox life. For the Relief of Unbearable Urges is bold, funny and irresistibly inventive, a brilliant tragi-comic vision delivered in a voice that is as humorous and full of life as it is sorrowful and haunted - a work of stunning authority and imagination. In 'The Twenty-Seventh Man' a clerical error brings earnest, unpublished Pinchas into the company of writers slated for execution at the order of Stalin; in 'The Tumblers' a group of Jews fated for Auschwitz improvise an escape by blending into a troop of acrobats and teaching themselves to tumble; in the title story, a married Hasidic man incensed by his wife's interminable menstrual cycle gets a dispensation from a rabbi to see a prostitute, 'for the reliefof unbearable urges'. Englander's stories are wise and compassionate, at once outrageous and wrenchingly sad.
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