The explosion at the start of this book ends the life of its hero, Benjamin Sachs, and brings two FBI agents to the home of one of Sachs's oldest friends, the writer Peter Aaron. What follows is Aaron's story, an investigation of another man's life. By the author of Moon Palace.
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Paul Auster was born in Newark, New Jersey in the United States in 1947. He graduated from Columbia University with an MA degree. In 1970 he worked as a merchant seaman on an Esso oil tanker. From 1971 to 1974 he lived in France, spending two years in Paris and one in Provence. After returning to New York in 1974, he began his writing career. Throughout the 1970s he wrote mainly poetry and essays which appeared in various magazines including the New York Review of Books. During the 1980s he concentrated on prose writing: a memoir and four novels were published. His screenplay Smoke and Blue in the Face was published in April 1996 to coincide with the release of the film, and in 1999 Faber published the screenplay Lulu on the Bridge. The Art of Hunger (a collection of essays, interviews and prose) and his Selected Poems were published in 1998. He is the author of nine novels, including The New York Trilogy.From Publishers Weekly:
Auster ( The Music of Chance ) captivatingly renews a theme central to his acclaimed New York Trilogy and Moon Palace --that of the other, the shadow self whose parallel life somehow jumps the track and threatens the more sober protagonist. After his valued friend and fellow writer Ben Sachs blows himself up with a bomb, Peter Aaron reviews their 15-year bond--including their shared love for Ben's lovely wife--and tries to reconstruct Ben's life. A boyhood experience in the Statue of Liberty haunted Ben until his transformation following a plunge from a fire escape at a drunken Fourth of July party in Brooklyn. After this fall, Ben stopped writing and became the "Phantom of Liberty," detonating Statue of Liberty replicas as a sign to America to "mend its ways." Peter's writing, on the other hand, surges "as though I had caught fire." The novel explores the fictional act: the relation between conflicting stories and kinds of truth; the reading of an address book, a la Sophie Calle, as a fertile text jammed with mysterious characters; role-reversal as self-discovery, practiced by photographer Maria and prostitute Lillian, women friends intimately linked to Peter and Ben. Finally, Peter (and Auster) appropriates the title of Ben's abandoned novel, a title that evokes the biblical sea monster and, thanks to Hobbes, the state, implying that the novel is itself a monster genre that merges diverse humans, their nightmares and passions. 25,000 first printing; author tour.
Copyright 1992 Reed Business Information, Inc.
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Descripción Faber & Faber, 1998. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0571169457