The Outcast Dead (Ruth Galloway) - Tapa dura

"What connection could the discovery of a notorious child killer s corpse have to a new series of unnerving crimes? Forensic archaeologist Ruth Galloway thinks that the body she s unearthed near the walls of Norwich Castle may be that of Mother Hook, a woman who took in unwanted children, possibly sold their bodies and was hanged for murder in 1867. . . . Griffiths lovingly develops the complicated, often testy relationships between the continuing characters in the course of a mystery perhaps a shade less exciting than her usual fare."--Kirkus Reviews

"Griffiths bases her title and the book s opening scene on an actual ceremony for the outcast dead (paupers and prostitutes long ago flung into a mass grave), held every year at Cross Bones Graveyard in London. . . . Griffiths deftly blends the themes of two women accused of child killing. Then she turns up the heat under this seething cauldron of blame and guilt by having two Norwichchildren kidnapped. A deft blend of death in the past, death in the present, and death chillingly close to occurring."--Booklist"

-What connection could the discovery of a notorious child killer's corpse have to a new series of unnerving crimes? Forensic archaeologist Ruth Galloway thinks that the body she's unearthed near the walls of Norwich Castle may be that of Mother Hook, a woman who took in unwanted children, possibly sold their bodies and was hanged for murder in 1867. . . . Griffiths lovingly develops the complicated, often testy relationships between the continuing characters in the course of a mystery perhaps a shade less exciting than her usual fare.---Kirkus Reviews

-Griffiths bases her title and the book's opening scene on an actual ceremony for -the outcast dead- (paupers and prostitutes long ago flung into a mass grave), held every year at Cross Bones Graveyard in London. . . . Griffiths deftly blends the themes of two women accused of child killing. Then she turns up the heat under this seething cauldron of blame and guilt by having two Norwichchildren kidnapped. A deft blend of death in the past, death in the present, and death chillingly close to occurring.---Booklist

"What connection could the discovery of a notorious child killer's corpse have to a new series of unnerving crimes? Forensic archaeologist Ruth Galloway thinks that the body she's unearthed near the walls of Norwich Castle may be that of Mother Hook, a woman who took in unwanted children, possibly sold their bodies and was hanged for murder in 1867. . . . Griffiths lovingly develops the complicated, often testy relationships between the continuing characters in the course of a mystery perhaps a shade less exciting than her usual fare."--Kirkus Reviews

"Griffiths bases her title and the book's opening scene on an actual ceremony for "the outcast dead" (paupers and prostitutes long ago flung into a mass grave), held every year at Cross Bones Graveyard in London. . . . Griffiths deftly blends the themes of two women accused of child killing. Then she turns up the heat under this seething cauldron of blame and guilt by having two Norwichchildren kidnapped. A deft blend of death in the past, death in the present, and death chillingly close to occurring."--Booklist