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Sinopsis
This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts.
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Reseña del editor
This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca.
Contraportada
This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all aspects--the commercial theatre, court drama and the Corpus autos, organization of theatrical life, playhouses and their public, literary and moral controversies, and the plays as literary texts.
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- EditorialCambridge University Press
- Año de publicación2009
- ISBN 10 0521429013
- ISBN 13 9780521429016
- EncuadernaciónTapa blanda
- Número de páginas344
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Theatre in Spain, 14901700
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Theatre in Spain, 1490â"1700
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ISBN 13: 9780521429016
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Theatre in Spain, 1490-1700
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Theatre in Spain, 1490 1700
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Theatre in Spain, 1490â"1700
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ISBN 13: 9780521429016
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ISBN 13: 9780521429016
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Paperback. First Edition Thus [1992]; so stated, in accordance with Cambridge University Press's customary practice at the time of publication. Near Fine in Wraps: shows indications of very careful use: shows very mild rubbing to wrapper covers; a couple of very faint creases to the upper corners; the expected very light tanning to the text pages, due to aging; else flawless; the binding remains square and secure; the text is clean. Free of creases to the backstrip. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome nearly-new copy, structurally sound and tightly bound, showing a couple of minor, unobtrusive flaws. Bright and clean. Corners sharp. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9 x 6 x 1 inches). xi, 330 pages. Language: English. Weight: 16.1 ounces. University Press Paperback.This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca. First Edition Thus [1992]; so stated, in accordance with Cambridge University Press's customary practice at the time of publication. Nº de ref. del artículo: 54652
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