Critical Readings in Impressionism and Post-Impressionism: An Anthology

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9780520250222: Critical Readings in Impressionism and Post-Impressionism: An Anthology
Reseña del editor:

The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward.

Biografía del autor:

Mary Tompkins Lewis is Visiting Associate Professor in the Department of Fine Arts at Trinity College, Hartford. She is the author of Cezanne's Early Imagery (UC Press) and Cezanne.

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ISBN 10: 0520250222 ISBN 13: 9780520250222
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Descripción University of California Press, United States, 2007. Paperback. Estado de conservación: New. 234 x 183 mm. Language: English . Brand New Book. The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement s historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. Nº de ref. de la librería AAZ9780520250222

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Philip G. Nord
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Descripción University of California Press, United States, 2007. Paperback. Estado de conservación: New. 234 x 183 mm. Language: English . Brand New Book. The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement s historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. Nº de ref. de la librería AAZ9780520250222

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Descripción University of California Press. Paperback. Estado de conservación: new. BRAND NEW, Critical Readings in Impressionism and Post-impressionism: An Anthology, Philip G. Nord, Mary Tompkins Lewis, Nicholas Green, Martha Ward, Philip G. Nord, The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. Nº de ref. de la librería B9780520250222

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Lewis, Mary Tomkins
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Descripción University of California Press, 2007. Estado de conservación: New. 2007. 1st Edition. Paperback. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Editor(s): Lewis, Mary Tompkins. Num Pages: 358 pages, 8 color illustrations, 125 black / white photographs. BIC Classification: ACVT; AFC. Category: (P) Professional & Vocational. Dimension: 234 x 187 x 23. Weight in Grams: 766. An Anthology. 358 pages, Illustrations (some col.). Editor(s): Lewis, Mary Tompkins. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Cateogry: (P) Professional & Vocational. BIC Classification: ACVT; AFC. Dimension: 234 x 187 x 23. Weight: 868. . . . . . . Nº de ref. de la librería V9780520250222

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Philip G. Nord, Mary Tompkins Lewis, Nicholas Green, Martha Ward
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Descripción Paperback. Estado de conservación: New. Not Signed; The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating q. book. Nº de ref. de la librería ria9780520250222_rkm

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