Critical Readings in Impressionism and Post-Impressionism: An Anthology

3,5 valoración promedio
( 12 valoraciones por Goodreads )
 
9780520250222: Critical Readings in Impressionism and Post-Impressionism: An Anthology

The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field.

Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward

"Sinopsis" puede pertenecer a otra edición de este libro.

From the Inside Flap:

"This compilation will prove highly useful in its assessment of figure and landscape painting; criticism and exhibition strategies; and social, economic,and political history. Distinct art historical voices are brought together, offering the reader a broad spectrum of approaches to the subject."—Margaret Werth, author of The Joy of Life: The Idyllic in French Art, circa 1900

"The texts that Lewis presents are knowledgeably and intelligently chosen and cover the basic revisionist trends in recent scholarship in a broad and admirably thoughtful way."—Jack Flam, author of Matisse and Picasso: The Story of their Rivalry and Friendship

"Mary Tompkins Lewis's anthology provides a welcome tool not only for courses on Impressionism itself, but also for anyone interested in teaching a methods course in art history."—James Rubin, author of Impressionist Cats and Dogs: Pets in the Painting of Modern Life

About the Author:

Mary Tompkins Lewis is Visiting Associate Professor in the Department of Fine Arts at Trinity College, Hartford. She is the author of Cézanne’s Early Imagery (UC Press) and Cézanne.

"Sobre este título" puede pertenecer a otra edición de este libro.

Los mejores resultados en AbeBooks

1.

ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Paperback Cantidad: 4
Librería
Books-FYI, Inc.
(cadiz, KY, Estados Unidos de America)
Valoración
[?]

Descripción Paperback. Estado de conservación: New. Nº de ref. de la librería 23MA3600ZY01

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 27,41
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,43
A Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Mary Tomkins Lewis
Editorial: University of California Press 2007-03-27, Berkeley, Calif. |London (2007)
ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos paperback Cantidad: 10
Librería
Blackwell's
(Oxford, OX, Reino Unido)
Valoración
[?]

Descripción University of California Press 2007-03-27, Berkeley, Calif. |London, 2007. paperback. Estado de conservación: New. Nº de ref. de la librería 9780520250222

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 32,25
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,36
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

3.

Philip G. Nord
Editorial: University of California Press, United States (2007)
ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Paperback Cantidad: 1
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción University of California Press, United States, 2007. Paperback. Estado de conservación: New. Language: English . Brand New Book. The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement s historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. Nº de ref. de la librería AAZ9780520250222

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 36,29
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

4.

Philip G. Nord
Editorial: University of California Press, United States (2007)
ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Paperback Cantidad: 1
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción University of California Press, United States, 2007. Paperback. Estado de conservación: New. Language: English . Brand New Book. The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement s historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism.These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. Nº de ref. de la librería AAZ9780520250222

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 36,30
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Mary Tomkins Lewis
Editorial: University of California Press (2007)
ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Cantidad: > 20
Librería
Books2Anywhere
(Fairford, GLOS, Reino Unido)
Valoración
[?]

Descripción University of California Press, 2007. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WF-9780520250222

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 30,06
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 10,07
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Lewis, Mary Tomkins
Editorial: University of California Press (2007)
ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Tapa blanda Primera edición Cantidad: 2
Librería
Valoración
[?]

Descripción University of California Press, 2007. Estado de conservación: New. 2007. 1st Edition. Paperback. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Editor(s): Lewis, Mary Tompkins. Num Pages: 358 pages, 8 color illustrations, 125 black / white photographs. BIC Classification: ACVT; AFC. Category: (P) Professional & Vocational. Dimension: 234 x 187 x 23. Weight in Grams: 766. An Anthology. 358 pages, Illustrations (some col.). Editor(s): Lewis, Mary Tompkins. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Cateogry: (P) Professional & Vocational. BIC Classification: ACVT; AFC. Dimension: 234 x 187 x 23. Weight: 868. . . . . . . Nº de ref. de la librería V9780520250222

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 40,99
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Irlanda a Estados Unidos de America
Destinos, gastos y plazos de envío

7.

ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Cantidad: 2
Librería
BWB
(Valley Stream, NY, Estados Unidos de America)
Valoración
[?]

Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97805202502220000000

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 41,64
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

8.

ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Cantidad: 2
Librería
Speedy Hen LLC
(Sunrise, FL, Estados Unidos de America)
Valoración
[?]

Descripción Estado de conservación: New. Bookseller Inventory # ST0520250222. Nº de ref. de la librería ST0520250222

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 41,79
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

9.

Philip G. Nord, Mary Tompkins Lewis, Nicholas Green, Martha Ward, Philip G. Nord
Editorial: University of California Press
ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Paperback Cantidad: 3
Librería
THE SAINT BOOKSTORE
(Southport, Reino Unido)
Valoración
[?]

Descripción University of California Press. Paperback. Estado de conservación: new. BRAND NEW, Critical Readings in Impressionism and Post-impressionism: An Anthology, Philip G. Nord, Mary Tompkins Lewis, Nicholas Green, Martha Ward, Philip G. Nord, The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. Nº de ref. de la librería B9780520250222

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 34,14
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 7,78
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

10.

Lewis, Mary Tomkins
Editorial: University of California Press
ISBN 10: 0520250222 ISBN 13: 9780520250222
Nuevos Tapa blanda Cantidad: 2
Librería
Kennys Bookstore
(Olney, MD, Estados Unidos de America)
Valoración
[?]

Descripción University of California Press. Estado de conservación: New. 2007. 1st Edition. Paperback. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Editor(s): Lewis, Mary Tompkins. Num Pages: 358 pages, 8 color illustrations, 125 black / white photographs. BIC Classification: ACVT; AFC. Category: (P) Professional & Vocational. Dimension: 234 x 187 x 23. Weight in Grams: 766. An Anthology. 358 pages, Illustrations (some col.). Editor(s): Lewis, Mary Tompkins. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Cateogry: (P) Professional & Vocational. BIC Classification: ACVT; AFC. Dimension: 234 x 187 x 23. Weight: 868. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780520250222

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 43,11
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda