Berlioz: Servitude and Greatness, 1832-1869 v. 2 - Tapa blanda

This biography of composer Hector Berlioz (1803-1869) describes with unprecedented intimacy, affection, and respect the life of one of France's greatest artists. After long being regarded as an oddity and an eccentric figure, Berlioz is now being accepted into the ranks of the great composers. Based on a wealth of previously unpublished sources, and on a profound understanding of the humanity of his subject, David Cairns's book provides a full account of this extraordinary and powerfully attractive man.

Volume II follows Berlioz's life from 1832 to his death in 1869, his most active years as a composer, conductor, and critic. This volume provides telling portraits of those close to Berlioz: his two wives, his son and his sisters, his friends and colleagues, fellow composers and critics. Cairns vividly evokes Berlioz's music and the music-making world of nineteenth-century Paris. Volume II also includes chapters on Wagner, Berlioz's career as a critic, the composer's concert tours in Germany, Russia, and England, and much more.

Praise for Berlioz, Volume I:

"We now have a biography that not only takes in the immense documentation of Berlioz's early life but goes far beyond it in piecing together an incomparably rich portrait of the man and his milieu. . . . The picture is so vivid and the prose so magnetic that not a word seems wasted. . . . Cairns's biography of Berlioz must take its place with the handful of great lives of composers, such as Thayer's Beethoven, Newman's Wagner, and Walker's Wolf."—Hugh MacDonald, The Listener

"Even at this halfway stage, [Cairns's] Berlioz stands as one of the great biographies of our day, and also one of the great feats of literary sympathy with an artistic genius, filled with a love, knowledge, and understanding of his subject that flame up on every page."—Max Loppert, Financial Times

"This biography is kindled by sympathy and enthusiasm for its subject, and is written with a lifelong professional experience of Berlioz behind it. It is also beautifully and interestingly written. The chapters flow together like Berlioz's own harmonic changes, and with equal resonance."—Roger Norrington, Independent