Principles of Orchestration (Dover Books on Music)

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9780486212661: Principles of Orchestration (Dover Books on Music)
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Principles of Orchestration features fundamentals on a variety of concepts pertaining to classical music and orchestration. Compiled from the notes and excerpts of none other than Nikolay Rimsky-Korsakov, one of history’s greatest orchestrators, Principles of Orchestration introduces and illustrates the reasoning behind many classical styles and arrangements in a manner accessible to novices and aficionados alike.

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1.

Rimsky-Korsakov, Nikolai
Editorial: Dover Publications
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Cantidad: 5
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Firehouse Liquidation
(Vancouver, WA, Estados Unidos de America)
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Descripción Dover Publications. Estado de conservación: New. Brand New! Ships next business day!. Nº de ref. de la librería OFH-2990000517814

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2.

Nikolai Rimsky-Korsakov
Editorial: Dover Publications (1964)
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Paperback Cantidad: 1
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Irish Booksellers
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Descripción Dover Publications, 1964. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0486212661

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3.

By Nicolai Rimsky-Korsakov
Editorial: Alfred Publishers
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Cantidad: > 20
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INDOO
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Descripción Alfred Publishers. Estado de conservación: New. Brand New. Nº de ref. de la librería 0486212661

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4.

N.Rimsky- Korsakov
Editorial: Dover Publications Inc., United States (1965)
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Paperback Cantidad: 10
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The Book Depository US
(London, Reino Unido)
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Descripción Dover Publications Inc., United States, 1965. Paperback. Estado de conservación: New. New edition. 234 x 165 mm. Language: English . Brand New Book. To orchestrate is to create, and this cannot be taught, wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer. In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems. The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony in strings, winds, brasses, and combined groups. Chapter IV, Composition of the Orchestra, covers different ways of orchestrating the same music; effects that can be achieved with full tutti; tutti in winds, tutti pizzicato, soli in the strings, etc.; chords; progressions; and so on. The last two chapters deal with opera and include discussion of solo and choral accompaniment, instruments on stage or in the wings, technical terms, soloists (range, register, vocalization, vowels, etc.), voices in combination, and choral singing. Immediately following this text are some 330 pages of musical examples drawn from Sheherazade, the Antar Symphony, Capriccio Espagnol, Sadko, Ivan the Terrible, Le Coq d Or, Mlada, The Tsar s Bride, and others of Rimsky-Korsakov s works. These excerpts are all referred to in the text itself, where they illustrate, far better than words, particular points of theory and actual musical practice. They are largely responsible for making this book the very special (and very useful) publication it is. This single-volume edition also includes a brief preface by the editor and extracts from Rimsky-Korsakov s 1891 draft and final versions of his own preface, as well as an appendixed chart of single tutti chords in the composer s works. Nº de ref. de la librería AAC9780486212661

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5.

N.Rimsky- Korsakov
Editorial: Dover Publications Inc., United States (1965)
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Paperback Cantidad: 10
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción Dover Publications Inc., United States, 1965. Paperback. Estado de conservación: New. New edition. 234 x 165 mm. Language: English . Brand New Book. To orchestrate is to create, and this cannot be taught, wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer. In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems. The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony in strings, winds, brasses, and combined groups. Chapter IV, Composition of the Orchestra, covers different ways of orchestrating the same music; effects that can be achieved with full tutti; tutti in winds, tutti pizzicato, soli in the strings, etc.; chords; progressions; and so on. The last two chapters deal with opera and include discussion of solo and choral accompaniment, instruments on stage or in the wings, technical terms, soloists (range, register, vocalization, vowels, etc.), voices in combination, and choral singing. Immediately following this text are some 330 pages of musical examples drawn from Sheherazade, the Antar Symphony, Capriccio Espagnol, Sadko, Ivan the Terrible, Le Coq d Or, Mlada, The Tsar s Bride, and others of Rimsky-Korsakov s works. These excerpts are all referred to in the text itself, where they illustrate, far better than words, particular points of theory and actual musical practice. They are largely responsible for making this book the very special (and very useful) publication it is. This single-volume edition also includes a brief preface by the editor and extracts from Rimsky-Korsakov s 1891 draft and final versions of his own preface, as well as an appendixed chart of single tutti chords in the composer s works. Nº de ref. de la librería AAC9780486212661

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6.

Rimsky-Korsakov, Nicholas
Editorial: Dover Pubns (1964)
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Cantidad: > 20
Librería
Paperbackshop-US
(Commerce, GA, Estados Unidos de America)
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Descripción Dover Pubns, 1964. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería V0-9780486212661

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7.

Nikolay Rimsky-Korsakov
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Paperback Cantidad: 1
Librería
Grand Eagle Retail
(Wilmington, DE, Estados Unidos de America)
Valoración
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Descripción Paperback. Estado de conservación: New. 165mm x 25mm x 234mm. Paperback. To orchestrate is to create, and this cannot be taught, wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. B.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 489 pages. 0.848. Nº de ref. de la librería 9780486212661

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8.

Rimsky-Korsakov, Nikolai
Editorial: Dover Publications (1964)
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Paperback Cantidad: 1
Librería
Ergodebooks
(RICHMOND, TX, Estados Unidos de America)
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Descripción Dover Publications, 1964. Paperback. Estado de conservación: New. Nº de ref. de la librería INGM9780486212661

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9.

Nikolay Rimsky-Korsakov
Editorial: Dover Publications (1964)
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos Paperback Cantidad: 1
Librería
Ergodebooks
(RICHMOND, TX, Estados Unidos de America)
Valoración
[?]

Descripción Dover Publications, 1964. Paperback. Estado de conservación: New. New edition. Nº de ref. de la librería DADAX0486212661

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10.

Nikolay Rimsky-Korsakov, (Editor) Maximilian Steinberg, (Translator) Edward Agate
Editorial: Dover Publications, Inc. (1987)
ISBN 10: 0486212661 ISBN 13: 9780486212661
Nuevos PaperBack Cantidad: 1
Librería
Strand Book Store, ABAA
(New York, NY, Estados Unidos de America)
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Descripción Dover Publications, Inc., 1987. PaperBack. Estado de conservación: New. Nº de ref. de la librería 2625182

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