Tradition and the Black Atlantic: Critical Theory in the African Diaspora - Tapa dura

W. J. T. Mitchell, Professor of English and Art History at the University of Chicago, and editor of Critical Theory "[Stone] has a terrific eye for detail, bringing to life everything from the ruins of Germany to Ronald Reagan's White House with a wonderfully waspish turn of phrase... He captures well the West's weakness, as well as the seemingly powerful challenge that eastern-style socialism posed to Western freedom." Cornel West, Princeton University "Henry Louis Gates, Jr. is a towering man of letters in American life. He also is a seminal literary theorist whose work in African-American Studies has been profound and pioneering. In this book, he engages the Enlightenment, Frantz Fanon and the quests for identity in a vintage Gates manner: brilliant, witty and free thinking!" Paul Gilroy, Anthony Giddens Professor of Social Theory, London School of Economics and Political Science "The colossus of critical theory has been sedated for a decade by securitocracy. Henry Louis Gates, Jr. wants to re-awaken it. His lucidity, acuity and intellectually generosity conjure up fundamental issues that will help to settle the fate of Africa's diasporas. Cultural Studies acquires a worldly history and we encounter interpretations of twentieth-century, black politics and letters that remain as startling as they are novel. Gates' luminous provocations and insights have won a new urgency as the politics of culture assumes neocolonial as well as postcolonial patterns." Arnold Rampersad, Professor Emeritus, Stanford University "Bringing impeccable credentials to the persistently vital debate about cultural studies, Professor Gates has written a brilliant book that is as subtle and erudite as it is accessible to a wide range of readers. He consistently displays a sure grasp of the theoretical complexities of this controversial subject. At the same time, his arguments are leavened by the generosity of spirit and abundant good humor that have graced his immense body of work over the years."

Henry Louis Gates, Jr.'s Tradition and the Black Atlantic is both a vibrant romp down the rabbit hole of cultural studies and an examination of the discipline's roots and role in contemporary thought. In this conversational tour through the halls of theory, Gates leaps from Richard Wright to Spike Lee, from Pat Buchanan to Frantz Fanon, and ultimately to the source of anticolonialist thought: the unlikely figure of Edmund Burke. Throughout Tradition and the Black Atlantic , Gates shows that the culture wars have presented us with a surfeit of either/ors,tradition versus modernity Eurocentrism versus Afrocentricism. Pointing us away from these facile dichotomies, Gates deftly combines rigorous scholarship with humour, looking back to the roots of cultural studies in order to map out its future course.