Will is on the run. He's killed a man and now he must flee Oxfordand attempt to find his father-an explorer who sought the North Pole and who never returned from his expedition. Will's search for his father leads him to another world, where he encounters a girl and her wildcat daemon...Lyra. After crossing the abyss between the worlds, Lyra finds herself thrown together with Will, in a beautiful but eerily deserted city. It is a city haunted by Spectres-soul-destro ghostly forms that prey on adults, leaving aworld dominated by orphaned children. But even in another world Will cannot evade those who seek to destroy him, and thus the journey continues-Lyra and Will's destinies are intertwined and their
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With The Golden Compass Philip Pullman garnered every accolade under the sun. Critics lobbed around such superlatives as "elegant," "awe-inspiring," "grand," and "glittering," and used "magnificent" with gay abandon. Each reader had a favorite chapter--or, more likely, several--from the opening tour de force to Lyra's close call at Bolvangar to the great armored-bear battle. And Pullman was no less profligate when it came to intellectual firepower or singular characters. The dæmons alone grant him a place in world literature. Could the second installment of his trilogy keep up this pitch, or had his heroine and her too, too sullied parents consumed him? And what of the belief system that pervaded his alternate universe, not to mention the mystery of Dust? More revelations and an equal number of wonders and new players were definitely in order.
The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of invisibility: if he could erase himself, no one would discover his mother's increasing instability and separate them.
As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.
As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dæmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.
Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful. --Kerry FriedFrom the Back Cover:
"JUST AS QUICK-MOVING AND UNPUTDOWNABLE AS [THE GOLDEN COMPASS] . . . The mysteries deepen and the wonders grow even more extravagant."
--The Washington Post Book World
"More than fulfilling the promise of The Golden Compass, this second volume in the His Dark Materials trilogy starts off a heart-thumping pace and never slows down. . . . The grandly exuberant storytelling is sure to enthrall."
--Publishers Weekly (starred review)
"COMPELLING . . . RIFE WITH HIGH ADVENTURE . . .DESTINED TO BECOME A CLASSIC."
--Detroit Free Press
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Descripción Scholastic Press, 2001. Estado de conservación: New. The second book of the 'Dark Materials' trilogy. 341 pp pb. Unread. Fine. Nº de ref. de la librería 7880
Descripción Scholastic, 2001. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0439994136
Descripción Scholastic, 2001. Paperback. Estado de conservación: New. Never used!. Nº de ref. de la librería P110439994136
Descripción Scholastic. PAPERBACK. Estado de conservación: New. 0439994136 New Condition. Nº de ref. de la librería NEW7.1941418