The Appearance of Witchcraft: Print and Visual Culture in Sixteenth-Century Europe - Tapa blanda

'This long awaited book is the definitive history of the image of the witch in fifteenth and sixteenth century Europe. Zika's scholarship is extraordinary – he takes us through popular perceptions, iconography and intellectual history as he unravels the meanings of these compelling images. A masterly study, it will interest all historians of sexuality, art, and culture.' - Lyndal Roper, The University of Oxford

'This is a major reworking of the visual history of witchcraft and more comprehensive than anything that has gone before. The scholarship is exhaustive and impeccable throughout... It will be the standard work on the subject for many years.' - Stuart Clark, University of Swansea

'The imagery of early modern witchcraft has not had such a detailed study before, and thus Zika’s study is very welcome. His attention to both elite and popular versions of illustrations, and to the folklore of the period, make this an informative book on the folk beliefs of the time as well. The Appearance of Witchcraft is a book that anyone with an interest in witchcraft and supernatural belief in Europe or America should know.' - David Elton Gay, Indiana University

Shortlisted for the 2008 Katharine Briggs Award.

For centuries the witch has been a powerful figure in the European imagination; but the creation of this figure has been hidden from our view. Charles Zika’s groundbreaking study investigates how the visual image of the witch was created in late fifteenth- and sixteenth-century Europe. He charts the development of the witch as a new visual subject, showing how the traditional imagery of magic and sorcery of medieval Europe was transformed into the sensationalist depictions of witches in the pamphlets and prints of the sixteenth century.

This book shows how artists and printers across the period developed key visual codes for witchcraft, such as the cauldron and the riding of animals. It demonstrates how influential these were in creating a new iconography for representing witchcraft, incorporating themes such as the power of female sexuality, male fantasy, moral reform, divine providence and punishment, the superstitions of non-Christian peoples and the cannibalism of the New World.

Lavishly illustrated and encompassing in its approach, The Appearance of Witchcraft is the first systematic study of the visual representation of witchcraft in the later fifteenth and sixteenth centuries. It will give the reader a unique insight into how the image of the witch evolved in the early modern world.