The Wild Duck (Modern Plays) - Tapa blanda

David Eldridge's new version of Ibsen's classic, published to tie-in with the production at the Donmar Warehouse, London

Should the truth be pursued whatever the cost? The idealistic son of a wealthy businessman seeks to expose his father's duplicity and to free his childhood friend from the lies on which his happy home life is based.

This new version by David Eldridge of Henrik's Ibsen's classic play of 1884 opened at the Donmar Warehouse in December 2005.

'David Eldridge's version brings out Ibsen's permanent relevance without any textual coarsening' Guardian

'Five Stars. Flawless' Guardian

'A beautifully judged and absorbing piece of work' Independent

'Five Stars. Powerful and gripping' The Times

'Perhaps the greatest of Ibsen's plays ... A masterly production of a masterpiece' Telegraph

Henrik Ibsen (1828-1906) was a Norwegian dramatist and poet, who has often been called the father of modern drama. In his mature works Ibsen used naturalistic settings and dialogue to expose the corruption and hypocrisy of middle-class life. His work is valued for its technical mastery, penetrating psychological insight, and profound symbolism.
His first play, the romantic Catilina (1850), written under the pseudonym of Brynjolf Bjarme, was followed by several historical dramas in verse; these included The Burial Mound (1854) and The Feast of Solhoug (1856), inspired by Norwegian folk songs. His most impressive works were written after he left Norway. The verse tragedy Brand was published to considerable acclaim in 1866 while Peer Gynt (1867; first staged 1876), a portrait of the author as an undisciplined and unprincipled young man, established his international reputation. In 1871 Ibsen began the play that he considered his greatest work, Emperor and Galilean (1876), a 10-act 'double drama' based on the life of Julian the Apostate. It has seldom been revived.
The first of his four social plays, the works that represent the essence of Ibsenism, was Pillars of Society (1877). This was followed by A Doll's House (1879), which remains the most widely performed of his works, Ghosts (1881), which uses sexually transmitted disease as a symbol of the guilt of a corrupt society, and An Enemy of the People (1882). Hedda Gabler (1890) explores the isolation of the individual, while The Master Builder (1892) focuses on the psychology of the artist.

David Eldridge was born in Romford, Greater London. His full-length plays include Serving it Up (Bush Theatre, 1996); A Week with Tony (Finborough Theatre, 1996); Summer Begins (NT Studio and Donmar Warehouse, 1997); Falling (Hampstead Theatre, 1999); Under the Blue Sky (Royal Court Theatre, 2000, awarded Best New Play in the West End in 2001); Festen (Almeida and Lyric Theatre, 2004); M.A.D. (Bush Theatre, 2004); Incomplete and Random Acts of Kindness (Royal Court Theatre, 2005); a new version of Ibsen's The Wild Duck (Donmar Warehouse, 2005); Market Boy (National Theatre, 2006); a new version of Ibsen's John Gabriel Borkman (Donmar Warehouse, 2007); Under the Blue Sky (Duke of York's Theatre, 2008); an adaptation of Jean-Marie Besset's Babylone (Belgrade Theatre, Coventry, 2009); A Thousand Stars Explode in the Sky, co-written with Robert Holman and Simon Stephens (Lyric Hammersmith, 2010); a new version of Ibsen's The Lady from the Sea (Royal Exchange Theatre, 2010); and In Basildon (Royal Court, 2012).