The Sunshine Years - Tapa dura

"Witty, warm and observant enough to shine light into the darkest corners; a mesmerising read" (The Times)

"Knight expertly captures that particular guilt and self-loathing that amplifies the internal misery of the outwardly successful. Her best creation is mediocre lawyer JP, a man who rages impotently at life by leaving abusive comments beneath online articles. Everyone in this world struggles to connect despite always being connected, the "men tippetty-tapping with thumbs, texting their life stories all about town, average as sandwiches, boring as soup."" (Financial Times)

"Working with shifting points of view to bring her portrait of collective disaffection and internal dissonance into sharp focus, Knight keeps a disciplined hold on her material... the uncompromising honesty is impressive. So, too, is her skill in eliciting sympathy for even the most unlikely character" (Sunday Times)

"The characters are like ants under a magnifying glass, and Knight masterfully creates a suffocating atmosphere... a brave and poignant indictment of 21st-century living." (Daily Telegraph)

"THE SUNSHINE YEARS is a brilliant story by one of Britain's best young writers. It is a passionate, stylish novel that tells the big new truths about relationships, and is one of those books that shimmers with ideas and observations. Afsaneh Knight is a star" (Andrew O'Hagan)

"Afsaneh Knight handles it with real aplomb, treating everybody concerned with a sympathy that never curdles into indulgence, and making their ... dilemmas feel genuinely urgent." (Daily Mail)

"Beautifully acute... It engage[s] thoughtfully, and surprisingly, with our struggle to find fulfilment in a strange world'" (Times Literary Supplement)

"It's a mark of Knight's talent that JP can be so contradictory, but never unconvincing. By the time the novel has wound down to a bittersweet and pleasingly enigmatic ending, you'll even miss the guy, and all his friends. Which shows just how well Knight has done her job" (The Australian)

"Knight's second novel is a bleak and brilliant book, a disturbing anatomy of the privileged but unexamined life" (Sydney Morning Herald)

"A bleak portrayal of Sydney-sider thirty-something digressives and nihilists. I liked its refreshing inconclusiveness and its sparse dialogue-driven dramatic arc, and its evocations of physicality" (Will Self)