Shaker - Tapa dura

Frank captures the underbelly of Los Angeles streets to perfection with sharply written prose and biting dialogue...InShaker, Frank deftly blends action with flashbacks that allow us to get close to these characters and learn their motivations and flaws. The result is a richly layered crime story that is at times moving, humorous and, more often than not, violently bloody.
BookPage

Sometimes you just want to curl up with a mindless thriller about a hit man with a heart of gold. But there s nothing lovable about Roy Cooper, a contract killer who is mistaken for a hero by a nation still in shock in the aftermath of the big California earthquake. And there s nothing mindless about this tale of chicanery in high places, suspicious cops, relentless gangsters, obsessed gangbangers and a stoic killer who just wants everyone to chill out and leave him alone. Read it before author and screenwriter Scott Frank turns it into a classic movie.
Pittsburgh Post-Gazette

With its driving narrative, slim chapters and sensational plotline, Shaker really moves, and Frank proves himself to be as talented at writing genre fiction as he is at writing entertaining movies, like 1995 s Get Shorty. Set against a backdrop of literal seismic upheaval, the novel touches on ideas about politics, justice, race and the powerful bonds of family both those that we re born into and those that we choose.
But this novel s most memorable aspect is its main character, a man who reminds us that in a chaotic world where a blade or a bullet didn t have any kind of higher purpose there s perhaps nothing more dangerous or more lonely than a man who feels nothing.
Newsday
SHAKER is a stunning debut novel - a smart thriller that grabs you by the throat from the opening scene and keeps you on edge as it races to the end. Scott Frank brings an exciting new literary voice to the crime genre - totally unique, with a hint of homage to the great Elmore Leonard.
Linda Fairstein


Screenwriter Frank s well-plotted first novel will remind readers of Tom Wolfe s novel The Bonfire of the Vanities. Hit man Roy Cooper flies from New York to Los Angeles to kill someone five days after L.A. suffers a major earthquake...Frank integrates Roy s story, complete with flashbacks, with that of Science, one of the young thugs, and of Kelly Maguire, an LAPD officer with a reputation for racism, along the way revealing their inner lives in impressive psychological detail.
Publishers Weekly


I never give quotes. But I love thrillers. And SHAKER is the best thriller I've read in years. Someone needed to say that.
William Goldman

SHAKER is very, very, very good. Hard core and real in every moment. Crazy pure characters, instantly alive and unique. Platinum dialogue although that was a gimme with Scott Frank but still. It s sick and funny and perfectly detailed. I was even fooled by the end never saw it coming until I was supposed to. What s even better is that the title and the seismic device give the whole thing a real weight. What might ve been a deus ex machina is turned on its head, literally. What are we anyway but pachinko balls just waiting for fate to tap its ash and flip the lever again? And yeah, it s a page turner.
Tony Gilroy, writerand directorof The Bourne Legacy and Michael Clayton

The only blurb I ve given in the past fifteen years was for BETWEEN THE BRIDGE AND THE RIVER, a brilliant first novel by Craig Ferguson. When some twit called me to task, I told him if he (a) got himself a network TV show and had me on it, and (b) wrote something absolutely dazzling, well, what the hell, I'd give him a blurb, too.
Scott Frank s SHAKER is brilliant and dazzling and everything good. Reading it, it s not hard to believe the author wrote two perfect-pitch adaptations of Elmore Leonard novels. He also wrote and directed a perfect-pitch adaptation of my own A WALK AMONG THE TOMBSTONES, and I figure that's as good as hosting The Late Late Show. This is one hell of a good book, and I can t stop myself from saying so.
Lawrence Block


Thriller is the perfect way to describe SHAKER because it s a rush to read. It s smart, funny, compelling, and complex. It s kick ass entertainment.
Janet Evanovich


"

"Frank captures the underbelly of Los Angeles' streets to perfection with sharply written prose and biting dialogue... In Shaker, Frank deftly blends action with flashbacks that allow us to get close to these characters and learn their motivations and flaws. The result is a richly layered crime story that is at times moving, humorous and, more often than not, violently bloody."
-- BookPage

"Sometimes you just want to curl up with a mindless thriller about a hit man with a heart of gold. But there's nothing lovable about Roy Cooper, a contract killer who is mistaken for a hero by a nation still in shock in the aftermath of the big California earthquake. And there's nothing mindless about this tale of chicanery in high places, suspicious cops, relentless gangsters, obsessed gangbangers and a stoic killer who just wants everyone to chill out and leave him alone. Read it before author and screenwriter Scott Frank turns it into a classic movie."
-- Pittsburgh Post-Gazette

"With its driving narrative, slim chapters and sensational plotline, "Shaker" really moves, and Frank proves himself to be as talented at writing genre fiction as he is at writing entertaining movies, like 1995's 'Get Shorty.' Set against a backdrop of literal seismic upheaval, the novel touches on ideas about politics, justice, race and the powerful bonds of family -- both those that we're born into and those that we choose.

But this novel's most memorable aspect is its main character, a man who reminds us that in a chaotic world where 'a blade or a bullet didn't have any kind of higher purpose' there's perhaps nothing more dangerous -- or more lonely -- than 'a man who feels nothing.'"
--Newsday

"SHAKER is a stunning debut novel - a smart thriller that grabs you by the throat from the opening scene and keeps you on edge as it races to the end. Scott Frank brings an exciting new literary voice to the crime genre - totally unique, with a hint of homage to the great Elmore Leonard."
-- Linda Fairstein


"Screenwriter Frank's well-plotted first novel will remind readers of Tom Wolfe's novel The Bonfire of the Vanities. Hit man Roy Cooper flies from New York to Los Angeles to kill someone five days after L.A. suffers a major earthquake...Frank integrates Roy's story, complete with flashbacks, with that of Science, one of the young thugs, and of Kelly Maguire, an LAPD officer with a reputation for racism, along the way revealing their inner lives in impressive psychological detail."
-- Publishers Weekly


"I never give quotes. But I love thrillers. And SHAKER is the best thriller I've read in years. Someone needed to say that."
-- William Goldman

"SHAKER is very, very, very good. Hard core and real in every moment. Crazy pure characters, instantly alive and unique. Platinum dialogue - although that was a gimme with Scott Frank - but still. It's sick and funny and perfectly detailed. I was even fooled by the end - never saw it coming until I was supposed to. What's even better is that the title and the seismic device give the whole thing a real weight. What might've been a deus ex machina is turned on its head, literally. What are we anyway but pachinko balls just waiting for fate to tap its ash and flip the lever again? And yeah, it's a page turner."
-- Tony Gilroy, writer and director of The Bourne Legacy and Michael Clayton

"The only blurb I've given in the past fifteen years was for BETWEEN THE BRIDGE AND THE RIVER, a brilliant first novel by Craig Ferguson. When some twit called me to task, I told him if he (a) got himself a network TV show and had me on it, and (b) wrote something absolutely dazzling, well, what the hell, I'd give him a blurb, too.
Scott Frank's SHAKER is brilliant and dazzling and everything good. Reading it, it's not hard to believe the author wrote two perfect-pitch adaptations of Elmore Leonard novels. He also wrote and directed a perfect-pitch adaptation of my own A WALK AMONG THE TOMBSTONES, and I figure that's as good as hosting The Late Late Show. This is one hell of a good book, and I can't stop myself from saying so."
--Lawrence Block


"'Thriller' is the perfect way to describe SHAKER because it's a rush to read. It's smart, funny, compelling, and complex. It's kick ass entertainment."
-- Janet Evanovich

Meet Roy Cooper, stoic, unassuming “errand runner” for various New York criminals. Roy arrives in Los Angeles to shoot a man named Martin Shine a week after a powerful earthquake has knocked out cell service, buckled the freeways, and thrown L.A. into chaos. Roy doesn’t know who Shine is or why he has to die, but he does his job and does it well. Except for one thing: after the hit, Roy can’t find where he parked his car. Wandering the streets of North Hollywood, he stumbles upon a jogger getting mugged and beaten by four young gangbangers. Despite his attempt to simply put his head down and walk away, Roy winds up in the middle of another killing. Things get more complicated when the murdered jogger turns out to be a controversial mayoral candidate. Roy himself is shot twice, hospitalized in critical condition, and mistaken for a hero when a local resident leaks a video that goes viral. 

Now meet the rest of the cast of characters, including Kelly Maguire, a disgraced LAPD detective with an anger management problem and strange feelings about L.A.’s newest hero; Science, the teenage gangbanger/shooter, who needs to keep Roy quiet about what he’s seen; Mayor Miguel Santiago, who finds himself facing accusations that he’s just had his opponent whacked; Albert Budin, Roy’s onetime mentor and one of the scariest, creepiest characters in recent crime fiction; and myriad criminals, politicians, and cops who all need Roy to disappear—preferably forever.

Finally, meet Scott Frank, who has created not just one of the most entertaining novels of the year but also one of the most surprising. This first novel is fun and funny as well as moving and textured, nuanced and powerful. Shaker is the debut work of fiction by a major new storyteller.