The Wrong Side of Goodbye (19) (Harry Bosch Novel) - Tapa dura

"In each novel, Connelly has dug deeper into Harry's psyche, as he skillfully does in The Wrong Side of Goodbye....Connelly's melding of the police procedural, private detective novel and intense character study remains solid. Harry isn't with the LAPD anymore, but readers will be glad to know he is still on the job."--Oline H. Cogdill, South Florida Sun Sentinel


"Connelly continues to discover new depths to his character and new stories to tell that reveal those depths in always compelling ways. Hats off one more time to a landmark crime series."--Bill Ott, Booklist (starred review)


"Bosch fans will rejoice at the pluperfect ending."
--Tim O'Connell, Florida Times-Union


"This is an excellent police procedural crime novel, one of Connelly's best; it's full of well-developed characters, taut situations and vivid descriptions."
--Ray Walsh, Lansing State Journal


"Irresistible...Connelly nods to his early inspiration Raymond Chandler while strengthening his own claim to the mystery writers' pantheon."--Colette Bancroft, Tampa Bay Times


"If any novelist is worthy to walk once more through the front door of Raymond Chandler's iconic Sternwood mansion, it's Michael Connelly. For over two decades, Connelly has been brilliantly updating and enlarging the possibilities of the classic L.A. hard-boiled novel, first bestowed upon the world in 1939 with Chandler's debut, The Big Sleep. This latest Bosch outing is its own accomplishment: brooding and intricate, suspenseful and sad. In short, it's another terrific Michael Connelly mystery....a master of the genre."
--Maureen Corrigan, Washington Post


"Bosch at his best."
--Marilyn Stasio, New York Times Book Review


"Connelly has created in Bosch one of the great characters in contemporary crime fiction."--Colette Bancroft, Tampa Bay Times


"Michael Connelly is the master of the universe in which he lives, and that is the sphere of crime thrillers. This man is so good at what he does.... THE WRONG SIDE OF GOODBYE is the twenty first Harry Bosch story and it is just as good or better than the first one was. Nobody writes like Connelly, nobody. He is unique in his style and also in the character of Harry Bosch he has created. If you read one page about Harry Bosch as written by Michael Connelly you will be hooked for life."
--Jackie K. Cooper, Huffington Post


"It is impossible for Connelly to tell a bad story. Moving effortlessly between Bosch's private and public cases, he ratchets up the tension...pulling off in the final few chapters a California noir sleight of hand that would make Ross Macdonald envious."
--Robert Anglen, The Arizona Republic