"Greene even-handedly renders a lost and mostly forgotten world to perfection in Long Man. It's midsummer 1936, and in the bucolic Tennessee town of Yuneetah, FDR is a pretty unpopular president. Through his federal programs, geared to revive the economy and bring electricity to the region, locals are being bought out or relocated. [But] not everyone is going quietly into that good night. Annie Clyde Dodson and her folks have labored for generations on a hilltop farm, and it's her dream to introduce her daughter to a natural world the author memorably renders as a New World Eden . . . Caught up in this drama are several colorful figures, all with troubled pasts, buried secrets being brought to the surface like graves uncovered by the enveloping waters." --Dan Dervin, Fredericksburg Free-Lance Star
"Greene was immediately hailed as a new voice in Southern literature when she published Bloodroot, her first novel. In Long Man, she finds a way to embrace both the beauty and the intrinsic ferocity of small-town Appalachia as she returns to [its] hills, this time with a look at people who don't want to leave, despite outside threats . . . She has written a vibrant novel, gripping in its depiction of what has been forgotten. Be sure to put some time aside. Long Man is spellbinding as it chronicles endings and beginnings with the hardscrabble poetry of the way of life it depicts." --Steven Whitton, The Anniston Star "Gorgeous . . . A novel about passion, mystery and loss . . . A panorama of a people and way of life pressed upon by progress. Strong women [are] key to the plot and soul. The book is also about evocative writing. It's pungent, and never lazy. It can make a reader nostalgic for a place she's never known . . . A virtually perfect blend of lyrical writing and page-turning plot. This book gives me hope for the future of the literary novel. Beautiful." --Karen Sandstrom, Cleveland Plain Dealer "Aching, passionate, vivid . . . Greene seems ideally suited to tell this story, to take a slice of Appalachian history and render it as literature. She has the necessary gifts and knows these characters well, inside and out . . . The plot is simple but rich, and provides great suspense. Long Man carries the weight of tragedy, but in Greene's hands it does not feel excessively tragic . . . Powerful." --Daniel Woodrell, The New York Times Book Review "The plot of Long Man--the search for a missing girl--is compelling. Nevertheless, it would be a mistake to view the novel as simply a cinematic race against the clock. Greene has crafted a story that forces us to examine our relationship with nature, our understanding of community and, significantly, of social class. The residents of Yuneetah are impoverished and poorly educated. Their daily lives are simple and hardworking. In other words, they are just the kind of people our culture casts aside. This novel, written during the years of a more recent economic crisis, lends this Depression-era story a moral and ethical vibrancy that we should all pay attention to." --Jeffrey Condran, Pittsburgh Post-Gazette "An unusually poetic literary thriller--an Appalachian version of The World Without Us. Greene focuses this intense novel on one mother who has refused to move [from] her 40 acres. That futile devotion to a hallowed place and a primitive way of life provides the story's mournful base melody . . . But soon that fear of loss is submerged in a much deeper one: all the energy Annie put into saving her farm immediately triples into finding her daughter. In these searing pages, it's impossible not to feel the anguish in this mother's rage . . . As the rain falls and the river rises, the potential here for melodrama is high. But Greene is too fine a writer for that. As she works in the stylistic territory of Bonnie Jo Campbell and Ron Rash, her sentences seem to rise up from the soil of this harsh, beautiful land. She gives voice to alluring characters, [and to] the aching desires of unsophisticated people who possess a complex, profound understanding of themselves and their doomed way of life. An engrossing blend of raw tension and gorgeous reflection." --Ron Charles, The Washington Post "Set in 1936 as the Tennessee Valley Authority floods a mountain valley to bring electricity to the region, a young mother must confront leaving the place she knows and an uncertain future as her family land slips beneath the new lake. When her 3-year-old daughter goes missing, a divided community must come together and race the rising waters to find the child before it's too late. Greene is regarded as one of the best young chroniclers of contemporary Appalachia . . . Long Man dramatizes historical events that are still controversial today and raises issues that will resonate strongly with contemporary mountain communities." --Rich Rennicks, Mountain Xpress "Long Man reads like a painting--the kind that unravels from a scroll, with a landscape that moves through space and time . . . Greene masterfully captures the stories of [Yuneetah's] holdouts, but even in this desolate setting, there is still beauty that Greene, born and raised in East Tennessee, evokes with the simplest strokes . . . Her prose is sinuous, but clear, and completely devastating." --Anna Lee, The Greenville News "An instant classic . . . A tour de force of time and place, people and culture . . . Long Man is a visceral novel that evokes a sense of time and place and of the people who both define and are defined by that setting. Beautifully written in spare prose nevertheless creating a richly textured narrative that lingers in the mind long after the last page is turned." --D. R. Meredith, New York Journal of BooksFrom the critically acclaimed author of Bloodroot, a gripping, wondrously evocative novel of a family in turmoil, set against the backdrop of real-life historical event—the story of three days in the summer of 1936, as a government-built dam is about to flood an Appalachian town, and a little girl goes missing.
A river called Long Man has coursed through East Tennessee from time immemorial, bringing sustenance to the people who farm along its banks and who trade among its small towns. But as Long Man opens, the Tennessee Valley Authority’s plans to dam the river and flood the town of Yuneetah for the sake of progress—to bring electricity and jobs to the region—are about to take effect. Just a few days remain before the river will rise, and most of the town has been evacuated. Among the holdouts is a young, headstrong mother, Annie Clyde Dodson, whose ancestors have lived for generations on her mountaintop farm; she’ll do anything to ensure that her three-year-old daughter, Gracie, will inherit the family’s land. But her husband wants to make a fresh start in Michigan, where he’s found work that will bring the family a more secure future. As the deadline looms, a storm as powerful as the emotions between them rages outside their door. Suddenly they realize that Gracie is nowhere to be found. Has the little girl simply wandered off into the rain? Or has she been taken by Amos, the mysterious drifter who has come back to Yuneetah, perhaps to save his hometown in a last, desperate act of violence?
Suspenseful, visceral, gorgeously told, Long Man is a searing portrait of a tight-knit community brought together by change and crisis, and of one family facing a terrifying ticking clock. A novel set in history that resonates with our own times, it is a dazzling and unforgettable tour de force.
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