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In pre-Homeric times, the Greek heroes ¿ and one heroine ¿ united one last time to hunt down the ferocious Boar of Kalydon, sent by Artemis to ravage the land. Within the ancient sources lies a darker tale ¿ one of treachery among the hunters and a destructive love affair
Three and a half millennia later, the hunt for the Boar of Kalydon is re-enacted, and once again re-told. In the final months of the Second World War, Greek partisans pursue their quarry ¿ an SS officer ¿ in the same mountains the ancient Boar of Kalydon once roamed. Witness to the hunt is Sol Memel, a young Rumanian-Jewish poet fleeing for his life. Sol has lost his family and abandoned his lover, Ruth. Sol¿s role in the SS officer¿s eventual capture and killing inspires him to rewrite the ancient myth as a poem. Die Keilerjagd is acclaimed throughout post-war Europe and Sol is hailed as the voice of a generation. But Die Keilerjagd contains its own secret. When Ruth reappears twenty-five years later and proposes a film based on the writing of the poem, Sol finds himself cast as the quarry in this new telling of the tale. Under the camera¿s unforgiving lens, the ghosts of Sol¿s wartime past materialise ¿ behind them stand the ghosts of ancient Greece, the long-dead heroes who hold the truth behind the story of the original hunt.
Lawrence Norfolk was born in 1963. He won the Somerset Maugham Award for his first novel, Lemprière¿s Dictionary.
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- EditorialW&N
- Año de publicación2000
- ISBN 10 0297647008
- ISBN 13 9780297647003
- EncuadernaciónTapa blanda
- Número de edición1
- Número de páginas384
- Valoración
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In the Shape of a Boar
Publicado por
Weidenfeld & Nicolson
(2000)
ISBN 10: 0297647008
ISBN 13: 9780297647003
Nuevo
Soft cover
Original o primera edición
Cantidad disponible: 1
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Descripción Soft cover. Condición: New. 1st Edition. First Edition Thus-A clean tight and unmarked copyLawrence Norfolk's third novel takes the boar hunt as its central metaphor to discuss love, betrayal, fear and the annihilation of war. The first section begins in Ancient Greece with the hunt for the boar of Kalydon, then moves to Paris in the 1970s, where the poet, Sol Memel's life echoes the mythological prototypes. When King Oeneus neglects to sacrifice animals to Artemis at the festival of First Fruits, she sends a boar of gigantic proportions and ferocious strength to destroy the land. The king's son, Meleager, gathers prize hunters to kill it. They form "a new, earth-bound constellation" as they converge around Mount Aracynthus, already "one another's quarry in a bloodless preparatory hunt". Their roll call creates "a palace of sound". Norfolk's beautifully compelling prose establishes a phenomenal pace, mirroring the characters' charged drive towards their foretold destiny. He creates a dense geography of paths of sumac and oak, wild pear trees, brushwood, sedge, spurge, lentisc, wild olives and myrtle, until Greece itself emerges as a recurrent and potent character. The three strongest hunters, Meleager, Atalanta and her cousin Meilanion form a powerful triangle of desire, for victory and each other. As they move into the terrain of the boar, the narrative is as tense as any urban thriller chase. When victims of the boar are discovered gored by branches of a tree, Norfolk luxuriates in the violence, as though exorcising a part of himself. As Sol Memel suggests about the horrors of the Second World War: "Memories were violent from the inside out. People made them up because they had to." In the second section, the three mythic hunters are re-created in Sol and his two best friends, Ruth and Jakob, who've each escaped the Jewish ghetto in different ways. Here, the purpose of Norfolk's excessive classical footnotes becomes clear when Sol's masterpiece, Die Keilerjagd--The Hunt of the Boar is published with obsessive annotations by his old rival, Jakob, undermining Sol's integrity. Although the second half of the book is less clotted, the intensity of the hunt is diffused and much less gripping. In the Shape of a Boar is an ambitiously layered novel, in which the reader becomes complicit in the hunt for truth and the creation of evil. --Cherry Smyth --This text refers to an out of print or unavailable edition of this title. Nº de ref. del artículo: 009144
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