Sally Potter (Contemporary Film Directors)

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9780252075766: Sally Potter (Contemporary Film Directors)

This survey of Sally Potter’s work documents and explores her cinematic development from the feminist reworking of Puccini’s opera La Bohème in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual. At the heart of Potter’s work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clichés, and images, while her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center. Fowler’s analysis is supplemented by a detailed filmography, bibliography, and an interview with the director.

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About the Author:

Catherine Fowler is a senior lecturer in film at the University of Otago, New Zealand, and the coeditor of Representing the Rural: Space, Place, and Identity in Films about the Land.

Review:

"A first-rate study of an important contemporary director. Catherine Fowler's writing is lucid and readable, and she traces with confidence the myriad cultural influences that shaped Potter's aesthetic." -- Virginia Wright Wexman

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Catherine Fowler
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Descripción University of Illinois Press, United States, 2008. Paperback. Estado de conservación: New. Language: English . Brand New Book. This survey of Sally Potter u2019s work documents and explores her cinematic development from the feminist reworking of Puccini u2019s opera La Boh u00e8me in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual. At the heart of Potter u2019s work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clich u00e9s, and images, while her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center. Fowler u2019s analysis is supplemented by a detailed filmography, bibliography, and an interview with the director. Nº de ref. de la librería AAJ9780252075766

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Catherine Fowler
Editorial: University of Illinois Press, United States (2008)
ISBN 10: 0252075765 ISBN 13: 9780252075766
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Descripción University of Illinois Press, United States, 2008. Paperback. Estado de conservación: New. Language: English . Brand New Book. This survey of Sally Potter u2019s work documents and explores her cinematic development from the feminist reworking of Puccini u2019s opera La Boh u00e8me in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual. At the heart of Potter u2019s work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clich u00e9s, and images, while her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center. Fowler u2019s analysis is supplemented by a detailed filmography, bibliography, and an interview with the director. Nº de ref. de la librería AAJ9780252075766

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Descripción University of Illinois Press, United States, 2008. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This survey of Sally Potter u2019s work documents and explores her cinematic development from the feminist reworking of Puccini u2019s opera La Boh u00e8me in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual. At the heart of Potter u2019s work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clich u00e9s, and images, while her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center. Fowler u2019s analysis is supplemented by a detailed filmography, bibliography, and an interview with the director. Nº de ref. de la librería BTE9780252075766

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Catherine Fowler
Editorial: University of Illinois Press (2008)
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Descripción University of Illinois Press, 2008. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0252075765

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