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"The essays in Kiss the Blood off My Hands seek fresh angles on a genre that has attracted so much scholarship that the academic field has its own worn tropes: German Expressionism, post-war ambience, gender politics. Several essays in Robert Miklitch's edited collection advance the study of film noir by attending to previously neglected aspects of style."--Times Literary Supplement "An invaluable resource for anyone interested in film noir. Essential."-Choice "A thrilling example of the possibilities of renewed scholarly attention to the classic noir period. Its broad range of novel topics and uniformly astute analyses reframe and open up the field of film noir study in provocative and insightful ways that herald a new phase in scholarship not only of the genre but of Classic Hollywood itself." --David Greven, author of Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin
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Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, as well as investigate Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration unwinds the impact of hot-button topics like race and gender, history and sexuality, technology and transnationality. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike.
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- EditorialUniversity of Illinois Press
- Año de publicación2014
- ISBN 10 0252038592
- ISBN 13 9780252038594
- EncuadernaciónTapa dura
- Número de páginas264
- EditorMiklitsch Robert
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Kiss the Blood Off My Hands : On Classic Film Noir
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Kiss the Blood Off My Hands: On Classic Film Noir
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Kiss the Blood Off My Hands : On Classic Film Noir
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Kiss the Blood Off My Hands: On Classic Film Noir
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Descripción Hardback. Condición: New. New copy - Usually dispatched within 4 working days. Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. This book offers a collection of essays that reassesses the genre's iconic style, history, and themes. Nº de ref. del artículo: B9780252038594
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Kiss the Blood Off My Hands On Classic Film Noir
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Kiss the Blood Off My Hands: On Classic Film Noir
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(2014)
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ISBN 13: 9780252038594
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Kiss the Blood Off My Hands (Hardcover)
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Descripción Hardcover. Condición: new. Hardcover. Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike. Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma. Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. This book offers a collection of essays that reassesses the genre's iconic style, history, and themes. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780252038594
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Kiss the Blood Off My Hands: On Classic Film Noir
Publicado por
University of Illinois Press
(2014)
ISBN 10: 0252038592
ISBN 13: 9780252038594
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Kiss the Blood Off My Hands (Hardcover)
Publicado por
University of Illinois Press, Baltimore
(2014)
ISBN 10: 0252038592
ISBN 13: 9780252038594
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Descripción Hardcover. Condición: new. Hardcover. Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike. Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma. Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. This book offers a collection of essays that reassesses the genre's iconic style, history, and themes. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780252038594
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