Mad Bad Dangerous To Know: The Fathers of Wilde, Yeats and Joyce - Tapa dura

Críticas

There is something interesting and intriguing to be found on almost every page (Rachel Cooke Guardian)

Toibin has a hawk-like eye for literary subtleties, and a generosity towards his subjects that is warm and unacademic. (The Sunday Times)

Full of insight and intrigue (Observer)

Searching, funny, generous (Irish Times)

Subtle, witty and often deeply moving (New Statesman)

If there is a more brilliant writer than Tóibín working today, I don't know who that would be (Karen Joy Fowler)

Toibin is a supple, subtle thinker, alive to hints and undertones, wary of absolute truths (New Statesman)

A consistently revealing look at how writers' relationships have influenced their work (Sunday Telegraph on 'New Ways to Kill Your Mother')

A wide-ranging and enlightening study of the potentially stifling family and the individual spirit of the writer (Sunday Times on 'New Ways to Kill Your Mother')

Reseña del editor

'There is something interesting and intriguing to be found on almost every page' Guardian

'A father . . . is a necessary evil.' Stephen Dedalus in Ulysses

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In Mad, Bad, Dangerous to Know Colm Tóibín turns his incisive gaze to three of Ireland's greatest writers, Oscar Wilde, W.B. Yeats and James Joyce, and their earliest influences: their fathers. From Wilde's doctor father, a brilliant statistician and amateur archaeologist, who was taken to court by an obsessed lover in a strange premonition of what would happen to his son; to Yeats' father, an impoverished artist and brilliant letter-writer who could never finish apainting; to John Stanislus Joyce, a singer, drinker and story-teller, a man unwilling to provide for his large family, whom his son James memorialised in his work.

Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work

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'Toibin has a hawk-like eye for literary subtleties, and a generosity towards his subjects that is warm and unacademic.' The Sunday Times

'Full of insight and intrigue' Observer

'Searching, funny, generous' Irish Times

'Subtle, witty and often deeply moving' New Statesman