Madame Maigret's Friend: Inspector Maigret #34 - Tapa blanda

Críticas

Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." --The Guardian "These Maigret books are as timeless as Paris itself." --The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." --People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --Andr Gide "A supreme writer . . . Unforgettable vividness." --The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." --The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it."lle --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville

Reseña del editor

Madame Maigret takes the lead in a disturbing investigation in this new translation, book thirty-three of the new Penguin Maigret series.

When he got to his door, he was surprised not to hear any noise in the kitchen and not to smell any food. He went in, crossed the dining room, where the table had not been laid, and at last saw Madame Maigret, in her slip, busy taking off her stockings. This was so unlike her that he could find nothing to say, and when she saw him standing there wide-eyed, she burst out laughing.

Inspector Maigret's wife turns sleuth after a strange encounter in a Paris square leads her on the trail of a woman in a white hat, and towards a grisly tale of deception and greed.

Penguin is publishing the entire series of Maigret novels in new translations.

'His artistry is supreme' John Banville

'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'A supreme writer . . . unforgettable vividness' Independent