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Descripción Paperback. Condición: New. A clean crisp well preserved 2017 Wallflower Press softcover in a fine tight binding. Little to no shelf wear. Text is bright and free of marks or underlining. Fast shipping in a secure book box mailer with tracking. Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed--all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927). Nº de ref. del artículo: 1209
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Descripción Paperback or Softback. Condición: New. Silent Cinema: Before the Pictures Got Small 0.45. Book. Nº de ref. del artículo: BBS-9780231181174
Descripción Condición: New. Lawrence Napper is lecturer in film studies at King's College, London. He is the author of British Cinema and Middlebrow Culture in the Interwar Years (2009) and The Great War in British Popular Cinema of the 1920s: Before Journey's End (2015). Series: Short Cuts. Num Pages: 144 pages, 16 b&w illustrations. BIC Classification: 3JJG; APFA. Category: (P) Professional & Vocational. Dimension: 203 x 152. . . 2017. Reprint. Paperback. . . . . Nº de ref. del artículo: V9780231181174
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Descripción Paperback. Condición: new. Paperback. Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed-all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927). "A Wallflower Press book"--Title page verso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780231181174
Descripción Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days. Nº de ref. del artículo: B9780231181174