Críticas:
"Compelling, slick, exuberant, flashy, funny, fierce, and cinematic. . . . Deftly written with panache and polish. . . . This remarkable novel, a lean, psychologically unsettling noir tale, will stay with you long after you put it down and regretfully say, 'I wish I wrote that.'" "Library Journal," starred review of "Good Neighbors"" "A well-written, fast-paced book . . . along the order of Quentin Tarantino and with a long and bloody trail to the end." Charlaine Harris, bestselling author of the Sookie Stackhouse series, on "The Dispatcher"" "Violent, vivid, and disturbing, The Dispatcher is a stomach churner. If you want a book that grabs you almost chokes you and won't let go, this is it. But it should come with a warning label: Caution, a serious writer at work." Ridley Pearson, "New York Times"-bestselling author"
Reseña del editor:
Los Angeles, 1952 After thirteen-year-old Sandy Duncan shoots his stepfather and carves a symbol from a comic book into the corpse's forehead, district attorney Seymour Markley launches a grand jury investigation into the murder, one that could implicate east-coast crime boss James Manning. Also in the frame is the comic book's creator, Eugene Dahl. When threatening notes appear nailed to his front door, he is lured to a downtown hotel where one of the men who could bring down James Manning, is being held. There, Eugene finds the witness murdered, as well as the police officer charged with protecting him, and all fingers point to Eugene. Forced to go on the run, Eugene devises a plan that involves deeds far worse than anything he's been accused of . . . 'There is no doubt of Jahn's writing talent . . . existential and surreal' The Times
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