Composing Japanese Musical Modernity (Chicago Studies in Ethnomusicology CSE) - Tapa dura

"In this highly original book, Bonnie C. Wade skillfully presents a complicated story by weaving together the connections between political conditions, cultural environments, and social expectations. By focusing on these connections between social domains, she establishes a dynamic scene that cannot easily be captured by single concepts such as modernization, westernization, or globalization. She provides a study that is as much about composers, music organizations, and social history as it is about the making of Japanese musical modernity-a process that is still ongoing." (Frederick Lau, University of Hawaii at Manoa)"

When we think of composers like Mozart or Beethoven, we usually envision an isolated artist separate from the orchestra - someone alone in a study, surrounded by staff paper - and in Europe and America this image generally has been accurate. For most of Japan's musical history, however, no such role existed - composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie C. Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large. Wade examines the history of composers in Japanese society, looking at the creative and economic opportunities that have sprung up around them - or that they forged - during Japan's astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.