This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1831. Excerpt: ... prodigy, which should shake old thrones as an earthquake, and by the suddenness of its new creations, should awaken something of the submissive wonder which miraculous agency inspires. Such seems to us to have been the distinction, or characteristic modification of his love of fame. It was a diseased passion for a kind of admiration, which, from the principles of our nature, cannot be enduring, and which demands for its support perpetual and more stimulating novelty. Mere esteem he would have scorned. Calm admiration, though universal and enduring, would have been insipid. He wanted to electrify and overwhelm. He lived for effect. The world was his theatre, and he cared little what part he played, if he might walk the sole hero on the stage, and call forth bursts of applause, which would silence all other fame. In war, the triumphs "which he coveted were those in which ho seemed to sweep away his foes like a whirlwind; and the immense and unparalleled sacrifice of his own soldiers, in the rapid marches and daring assaults to which he owed his victories, in no degree diminished their worth to the victor. In peace, he delighted to hurry through his dominions; to multiply himself by his rapid movements; to gather at a glance the capacities of improvement which every important place possessed; to suggest plans which would startle by their originality and vastness; to project in an instant works which a life could not accomplish, and to leave behind the impression of a superhuman energy. Our sketch of Bonaparte would be imperfect indeed, if we did not add, that he was characterized by nothing more strongly than by the spirit of selfexaggeration. The singular energy of his intellect and will, through which he had mastered so many rivals and foes, and overcome w...
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