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Descripción Paperback. Condición: new. Paperback. Dark and violent, Macbeth is also the most theatrically spectacular of Shakespeare's tragedies. Indeed, for 250 years - until early this century - it was performed with grand operatic additions set to baroque music. In his introduction Nicholas Brooke relates the play's changing fortunes to changes within society and the theatre and investigates the sources of its enduring appeal. He examines its many layers of illusion andinterprets its linguistic turns and echoes, arguing that the earliest surviving text is an adaptation, perhaps carried out by Shakespeare himself in collaboration with Thomas Middleton. Thisfully annotated edition reconsiders textual and staging problems, appraises past and present critical views, and represents a major contribution to our understanding of Macbeth. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, includingexpert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. A play of darkness originally conceived for daylight performance at the Globe, Macbeth is a tour de force of theatrical illusion from the supernatural to mere delusion. In this fully annotated edition, Brooke investigates the great appeal of the play's use of illusion, relating its changing theatrical fortunes to changes within society and in theatrical conditions. Offering a fresh reconsideration of textual problems, the book makes a major contribution to our understanding of the play within aesthetic history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780199535835
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