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'the book will probably be consulted more often than read as a whole ... any reader tolerant of the Blakean angle of vision will find it fruitfully employed in this study'E.D. Hill, Mount Holyoke College, Choice, June '93
excellent book.Its approach is both sophisticated and accessible with a clearly stated and admirably fulfilled set of aims and objectives (Bunyan Studies)
'Newlyn's book is a fine subtle one, There is little wrong with Professor Gash and his admiration of Sutrees, His admiration shines through these pages, and makes the reader anxious to recur to the stories again. This is a commendable book. Gash has done his author and his readers a service by reminding them of a neglected and unfashionable writer. His book will find a useful place on our shelves.'J.D. Fleeman, Pembroke College, Oxford. Notes and Queries. Sept '94
'Newlyn everywhere describes admirably what she calls at one point (with reference to Wordsworth) the 'pleasurable complexity' of the reading experience.'J.R. Watson. Byron Journal '94
There have been numerous books and articles on the subject, but Lucy Newlyn's is certainly the best. Its great virtue is that it combines a reading of Paradise Lost itself with treatments of Milton-influenced Romantic texts. Newlyn's principal argument is simple, beautifully articulated, amply supported through close analysis and wholly convincing. The structure is as elegant as the argument. (Review of English Studies)
One of the great strengths of the book is that its study of the minutiae of literary borrowing is grounded in the broader phenomenon of Milton's cultural influence. (Romanticism)
exceptional work...Dr Newlyn has read everything, and apparently said everything, that might have any bearing on this engrossing topic. (English Studies Vol 75 no 6)
Rather than confine herself to an author to chapter analysis Dr Newlyn instead chooses a thematic approach to assess the influence of Paradise Lost on a wide range of Romantic texts. This makes for an ongoing comparative analysis. (Bunyan Studies Number 6)
Reseña del editor:
excellent book.Its approach is both sophisticated and accessible with a clearly stated and admirably fulfilled set of aims and objectives (Bunyan Studies)
'Newlyn's book is a fine subtle one, There is little wrong with Professor Gash and his admiration of Sutrees, His admiration shines through these pages, and makes the reader anxious to recur to the stories again. This is a commendable book. Gash has done his author and his readers a service by reminding them of a neglected and unfashionable writer. His book will find a useful place on our shelves.'J.D. Fleeman, Pembroke College, Oxford. Notes and Queries. Sept '94
'Newlyn everywhere describes admirably what she calls at one point (with reference to Wordsworth) the 'pleasurable complexity' of the reading experience.'J.R. Watson. Byron Journal '94
There have been numerous books and articles on the subject, but Lucy Newlyn's is certainly the best. Its great virtue is that it combines a reading of Paradise Lost itself with treatments of Milton-influenced Romantic texts. Newlyn's principal argument is simple, beautifully articulated, amply supported through close analysis and wholly convincing. The structure is as elegant as the argument. (Review of English Studies)
One of the great strengths of the book is that its study of the minutiae of literary borrowing is grounded in the broader phenomenon of Milton's cultural influence. (Romanticism)
exceptional work...Dr Newlyn has read everything, and apparently said everything, that might have any bearing on this engrossing topic. (English Studies Vol 75 no 6)
Rather than confine herself to an author to chapter analysis Dr Newlyn instead chooses a thematic approach to assess the influence of Paradise Lost on a wide range of Romantic texts. This makes for an ongoing comparative analysis. (Bunyan Studies Number 6)
Was Milton on the side of the angels or the devils? Was he republican or anti-republican, feminist or misogynist? Did he value innocence or experience?
Lucy Newlyn shows how the Romantic reader responds, in complex and often paradoxical ways, to multiple ambiguities inherent in the very language of Paradise Lost. She examines ambivalent allusions to Satan and God, in responses to the French Revolution (Coleridge and Wordsworth), in studies of the origin of evil (Godwin, Blake, the Shelleys), in accounts of the creative imagination; and looks at how Eve pervades representations of female sexuality (Byron and Keats). The book culminates in a chapter on Blake's Milton, and prose writers such as De Quincey, Lamb, Wollstonecraft, and Hazlitt are also considered.
Milton emerges as a poet of indeterminacy, not an authority figure, whose concern with the problematic issues of revolution and religion, sexuality and selfhood, make his writing relevant and accessible.
Lucy Newlyn shows how the Romantic reader responds, in complex and often paradoxical ways, to multiple ambiguities inherent in the very language of Paradise Lost. She examines ambivalent allusions to Satan and God, in responses to the French Revolution (Coleridge and Wordsworth), in studies of the origin of evil (Godwin, Blake, the Shelleys), in accounts of the creative imagination; and looks at how Eve pervades representations of female sexuality (Byron and Keats). The book culminates in a chapter on Blake's Milton, and prose writers such as De Quincey, Lamb, Wollstonecraft, and Hazlitt are also considered.
Milton emerges as a poet of indeterminacy, not an authority figure, whose concern with the problematic issues of revolution and religion, sexuality and selfhood, make his writing relevant and accessible.
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- EditorialClarendon Press
- Año de publicación1992
- ISBN 10 0198112777
- ISBN 13 9780198112778
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- Número de páginas308
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PARADISE LOST AND THE ROMANTIC R
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Descripción Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Was Milton on the side of the angels or the devils Was he republican or anti-republican, feminist or misogynist Did he value innocence or experience This book shows how the Romantic reader responded, in complex and often paradoxical ways, to multiple ambiguities inherent in the very language of Paradise Lost. It examines ambivalent allusions to Satan and God, in responses to the French Revolution (Coleridge and Wordsworth), in studies of the origin of evil (Godwin, Blake, the Shelleys), in accounts of the creative imagination, and it looks at how Eve pervades representations of female sexuality (Byron and Keats). The book culminates in a chapter on Blake's Milton and also considers such prose writers as De Quincey, Lamb, Wollstonecraft, and Hazlitt. Nº de ref. del artículo: 9780198112778
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Descripción Hardcover. Condición: new. Hardcover. Was Milton on the side of the angels or the devils? Was he republican or anti-republican, feminist or misogynist? Did he value innocence or experience? Lucy Newlyn shows how the Romantic reader responds, in complex and often paradoxical ways, to multiple ambiguities inherent in the very language of Paradise Lost. She examines ambivalent allusions to Satan and God, in responses to the French Revolution (Coleridge and Wordsworth), instudies of the origin of evil (Godwin, Blake, the Shelleys), in accounts of the creative imagination; and looks at how Eve pervades representations of female sexuality (Byron and Keats). The book culminates in achapter on Blake's Milton, and prose writers such as De Quincey, Lamb, Wollstonecraft, and Hazlitt are also considered. Milton emerges as a poet of indeterminacy, not an authority figure, whose concern with the problematic issues of revolution and religion, sexuality and selfhood, make his writing relevant and accessible. This book explores what Romantic literature does with the questions posed by Milton in the ambiguous language of Paradise Lost. The topics considered concern revolution and religion, and sexuality and selfhood. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780198112778
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