Maigret In Court: Inspector Maigret #55 - Tapa blanda

Críticas

Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." --The Guardian "These Maigret books are as timeless as Paris itself." --The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." --People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --Andr Gide "A supreme writer . . . Unforgettable vividness." --The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." --The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it."lle --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville

Reseña del editor

'His artistry is supreme' John Banville

They suddenly found themselves in an impersonal world, where everyday words no longer seemed to mean anything, where the most mundane details were translated into unintelligible formulae. The judges' black gowns, the ermine, the prosecutor's red robe further added to the impression of a ceremony set in stone where the individual counted for nothing

Maigret receives an anonymous phone call concerning the brutal murder of a woman and young child. The tip off concerns the woman's nephew, a mild-mannered man by the name of Gaston Meurant. Maigret remains unconvinced of the man's guilt and at his trial exposes some shocking truths about Meurant's private life that may prove his innocence.

Penguin is publishing the entire series of Maigret novels in new translations.

'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian