The Ocean At The End Of The Lane - Tapa blanda

"This slim novel, gorgeously written, keeps its talons in you long after you've finished."--New York Post on THE OCEAN AT THE END OF THE LANE

"In Gaiman's latest romp through otherworldly adventure, a young boy discovers a neighboring family's supernatural secret. Soon his innocence is tested by ancient, magical forces, and he learns the power of true friendship. The result is a captivating read, equal parts sweet, sad, and spooky."--Parade on THE OCEAN AT THE END OF THE LANE

"The impotence of childhood is often the first thing sentimental adults forget about it; Gaiman is able to resurrect, with brutal immediacy, the abject misery of being unable to control one's own life."--Laura Miller, Salon

"[W]ry and freaky and finally sad. . . . This is how Gaiman works his charms. . . . He crafts his stories with one eye on the old world, on Irish folktales and Robin Hood and Camelot, and the other on particle physics and dark matter."--Chicago Tribune on THE OCEAN AT THE END OF THE LANE

"Remarkable . . . wrenchingly, gorgeously elegiac. . . . [I]n The Ocean at the End of the Lane, [Gaiman] summons up childhood magic and adventure while acknowledging their irrevocable loss, and he stitches the elegiac contradictions together so tightly that you won't see the seams."--Star Tribune (Minneapolis) on THE OCEAN AT THE END OF THE LANE

"Gaiman has crafted an achingly beautiful memoir of an imagination and a spellbinding story that sets three women at the center of everything. . . .[I]t's a meditation on memory and mortality, a creative reflection on how the defining moments of childhood can inhabit the worlds we imagine."--Journal Sentinel (Milwaukee, WI)

"His prose is simple but poetic, his world strange but utterly believable--if he was South American we would call this magic realism rather than fantasy."--The Times (London) on THE OCEAN AT THE END OF THE LANE

"[W]orthy of a sleepless night . . . a fairy tale for adults that explores both innocence lost and the enthusiasm for seeing what's past one's proverbial fence . . . Gaiman is a master of creating worlds just a step to the left of our own."--USA Today on THE OCEAN AT THE END OF THE LANE

"[A] compelling tale for all ages . . . entirely absorbing and wholly moving."--New York Daily News on THE OCEAN AT THE END OF THE LANE

"[A] story concerning the bewildering gulf between the innocent and the authoritative, the powerless and the powerful, the child and the adult. . . . Ocean is a novel to approach without caution; the author is clearly operating at the height of his career."--The Atlantic Wire on THE OCEAN AT THE END OF THE LANE

It began for our narrator forty years ago when the family lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed. Dark creatures from beyond the world are on the loose, and it will take everything our narrator has just to stay alive: there is primal horror here, and menace unleashed - within his family and from the forces that have gathered to destroy it. His only defense is three women, on a farm at the end of the lane. The youngest of them claims that her duckpond is ocean. The oldest can remember the Big Bang.